When a former soldier and recluse murders two 17-year-old students at a posh Edinburgh boarding school, Rebus immediately suspects there is more to the case than meets the eye. Army investigators show up to snoop around the scene of the crime, and links between the killer and a local group of "Goths" (a morbid clique of black-clad teens who listen to heavy metal music) begin to surface. But just as Rebus finds himself in the thick of the murder inquiry, he's threatened with suspension from the police force: a man who had been menacing his partner and friend, Detective Sergeant Siobhan Clarke, dies in the same house fire that has left Rebus with horrible, painful burns. Rebus is immediately suspected of foul play. Now Rebus is faced with two harrowing missions: He must get to the root of the boarding school killing even as he tries to clear his own name.
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Ian Rankin is an Edgar Award nominee and the recipient of a Gold Dagger Award for Fiction and the Chandler-Fulbright Award. He lives in Edinburgh with his wife and their two sons.
The 14th novel to feature the always compelling (and, as his name suggests, perpetually puzzling) John Rebus begins with what seems to be a uniquely American crime: a madman enters a school and starts shooting, killing two students and wounding a third before turning the gun on himself. But we're in Rankin country-a perpetually damp and morally bankrupt Edinburgh-with Rebus and Siobhan Clarke searching for the real story behind what seems an act of sheer madness. This immensely satisfying police procedural has plenty of forensic science, but Rebus knows that "none of it might make them any the wiser about the only question that mattered....The why." Why did Lee Herdman, a drop-out of the U.K. version of the Special Forces, go on a rampage? Why was James Bell, the son of a self-righteous Scottish M.P., merely wounded? And why are two Army investigators sniffing around the case? A subplot has Rebus himself under suspicion of murder: a minor criminal is found dead, burned in an apartment fire, and Rebus shows up with heavily bandaged hands the next morning. The detectives encounter every stratum of contemporary Scottish society, from angry teenage toughs and petty criminals to the privileged and the powerful. It's a complex narrative, perhaps too much so at times, but the plot is less important than Rebus himself, a brilliantly conceived hero who is all too aware of his own shortcomings. In an essentially amoral society, his moral compass is always pointed steadily towards the truth.
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Inspector John Rebus is, as always, a complex and genre-defining character. With burned hands and a dependence on malt liquor, his senses here have been dulled. That doesn't stop him from carrying this compelling novel, but not to heights as lofty as Rankin has reached previously. A few critics report that this entry in the series is not completely up to par. Others, however, call A Question of Blood one of the author's most dazzling displays yet. "Rankin does write violent guy-books, of course," attests the Washington Post, "but with such skill that anyone who appreciates good writing should enjoy them." If you haven't read an Inspector Rebus novel yet, here's your chance.
Copyright © 2004 Phillips & Nelson Media, Inc.
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