Alan Bennett's award-winning series of solo pieces is a classic of contemporary drama, universally hailed for its combination of razor-sharp wit and deeply felt humanity. In Bed Among the Lentils, a vicar's wife discovers a semblance of happiness with an Indian shop owner. In A Chip in the Sugar, a man's life begins to unravel when he discovers his aging mother has rekindled an old flame. In A Lady of Letters, a busybody pays a price for interfering in her neighbor's life.
First produced for BBC television in 1988 to great critical acclaim, the Talking Heads monologues also appeared on the West End Stage in London in 1992 and 1998. In 2002, seven of the pieces were performed at the Tiffany Theater in Los Angeles for a highly praised brief engagement, and in 2003 a selection of the monologues premiered in New York at the Minetta Lane Theatre. These extraordinary portraits of ordinary people confirm Alan Bennett's place as one of the most gifted, versatile, and important writers in the English Language.
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Alan Bennett
Title Page,
Introduction,
A Woman of No Importance,
Introduction to Talking Heads,
A Chip in the Sugar,
Bed Among the Lentils,
A Lady of Letters,
Her Big Chance,
Soldiering On,
A Cream Cracker under the Settee,
Introduction to Talking Heads 2,
The Hand Of God,
Miss Fozzard Finds Her Feet,
Playing Sandwiches,
The Outside Dog,
Nights in the Gardens of Spain,
Waiting for the Telegram,
Also by Alan Bennett,
The Cast,
Copyright Page,
A Woman of No Importance
Peggy: Patricia Routledge
PRODUCED BY INNES LLOYD
DESIGNED BY VIC MEREDITH
DIRECTED BY GILES FOSTER
MUSIC BY GEORGE FENTON
PEGGY IS A MIDDLE-AGED WOMAN. SHE TALKS DIRECTLY TO CAMERA AGAINST A NEUTRAL BACKGROUND.
I was all right on the Monday. I was all right on the Tuesday. And I was all right on the Wednesday until lunchtime, at which point all my nice little routine went out of the window.
Normally, i.e. provided Miss Hayman isn't paying us one of her state visits, come half past twelve and I'm ready to down tools and call it a morning. I put on a lick of paint, slip over and spend a penny in Costing ... I should technically use the one in Records but I've told them, that lavatory seat is a death trap. And I'm not ringing up again. 'Try a bit of sellotape.' What are they paid for? I'll then rout out Miss Brunskill from 402 and we'll meander gently over for our midday meal. But you just have to hit it right because, give it another five minutes, and believe me that canteen is dog eat dog.
However if you can manage to nip in before the avalanche you have the pick of the tables and there's still some semblance of hygiene. Our particular stamping ground is just the other side of the bamboo framework thing they tried to grow ivy up. It's what Miss Brunskill calls 'our little backwater'. We're more or less fixtures there and have been for yonks. In fact Mr Skidmore came by with his tray last week just as we were concluding our coffee and he said, 'Well, girls. Fancy seeing you!' We laughed. Girls! Mr Skidmore generally gravitates to the table in the far corner under that silly productivity thermometer-type thing. 'Export or Die'. It's actually broken — stuck anyway — but it's where management tend to foregather since we've had this absurd 'All Barriers Down' policy. Once upon a time management had tables roped off. That's gone, only they still congregate there. 'Huddling together for warmth,' Mr Rudyard calls it. I said to Mr Cresswell, 'You can tell who's an activist.' We laughed, because anybody more conformist than Mr Rudyard you couldn't want, and he has beautiful fingernails. Of course once the management started frequenting that particular table sure enough Miss Hayman and the Personnel brigade pitch camp next door. And she'll turn around and chat to Mr Skidmore over the back of her chair. She never used to have all that hair.
Our table though we're very much the happy family. There's me, Miss Brunskill, Mr Cresswell and Mr Rudyard, Pauline Lucas, who's ex-Projects ... to tell the truth she's still Projects, only she's in Presentation wearing her Projects hat. Then there's Trish Trotter (when she's not in one of her 'bit of cheese and an apple' phases); Joy Pedley pays us the occasional visit, but by and large that's the hard core. Trish Trotter is the only one with a right weight problem but we're all salad fanatics and keep one another in line. I have to watch my stomach anyway and salad suits Miss Brunskill because she's a big Christian Scientist. But to add that bit of excitement I bring along some of my home-made French dressing. Mr Cresswell keeps pestering me to give Mr Rudyard what he calls 'the secret formula'. He's a keen cook, Mr Rudyard. Little moustache, back like a ramrod, you'd never guess it. I pretend there's a mystery ingredient and won't let on. We laugh.
People are a bit envious of us, I know. I ran into Mr McCorquodale the other day when we were both queueing in (guess!) Accounts and he said, 'You do seem to have a good time at your table, Peggy. What do you talk about?' And I didn't know. I mean, what do we talk about? Pauline's mother keeps getting a nasty rash that affects her elbows. We'd been discussing that. Mr Cresswell and Mr Rudyard were going in for some new curtains for their lounge and were debating about whether to have Thames Green. And I was saying if Thames Green was the green I thought it was I liked it in a front door but wasn't keen on it in curtains. So that made for some quite lively discussion. And Trish Trotter had got hold of some new gen on runner beans as part of a calorie-controlled diet, and we kicked that around for a bit. But honestly, that was all it was. I don't know what we do talk about half the time! My secret is, I don't talk about myself. When Joy Pedley went to Thirsk on a 'Know Your Client' course that was apparently the whole gist of it: concentrate on the other person. I said, 'Well, I've no need to go to Thirsk to learn that. It's something I've been born with.' We laughed.
Once we've lined up our eats and got the table organised Miss B. gets her nose into her crossword while I scan the horizon for the rest of the gang. I have to be on my toes because there's always some bright spark wanting to commandeer them and drag them off elsewhere. I don't think people like to see other people enjoying themselves, basically. Take Pauline Lucas. The other day, she came in with young Stuart Selby. He's ginger, and when Mr Oyston went up into Accounts and Mrs Ramaroop moved to Keighley, Stuart did a bit of a dog's hind leg and got into Costing. Him and Pauline were making a bee-line for the window, which is in the Smoking area. Now Pauline doesn't smoke, in fact rather the reverse. So I sang out, 'You're not deserting us, are you Pauline? Fetch Stuart over here. See how the other half lives!' So she did. Only halfway he ran into Wendy Walsh and it ended up just being me and Pauline. I said to her, 'That was a narrow escape.' She said, 'Yes.' We laughed. Her acne's heaps better.
And then look at Mr Cresswell and Mr Rudyard. It's the biggest wonder last week they didn't get sat with the truck drivers. They were dawdling past with their trays and there was room but luckily I just happened to be going by en route for some coffee and saw which way the wind was blowing and rescued them in the nick of time. They were so grateful. I said 'You two! You don't know you're born!' They laughed.
However, as I say, on this particular Wednesday I'm in the office, it's half past twelve and I'm just thinking, 'Time you were getting your skates on, Peggy,' when suddenly the door opens and nobody comes in. I didn't even look up. I just said, 'Yes, Mr Slattery?' He was on his hands and knees with a pro forma in his mouth. Anybody else would have got up. Not him. He crawls up to me, pretending to be a dog and starts begging, this bit of paper in his mouth! I thought, 'You're a grown man.You've got a son at catering college; your wife's in and out of mental hospital and you're begging like a dog.' I enjoy a joke, but I didn't laugh.
Surprise, surprise he's after a favour. The bit of paper is the Squash Ladder. Would I run him off two dozen copies? i said, 'Yes. By all means. At two o' clock.' He said, 'No. Now' Wants to put them round in the lunch hour. I said, 'Sorry. No can do.' I...
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