Crash - Softcover

Críticas

"A work of very powerful originality. Ballard is among our finest writers of fiction."--Anthony Burgess
"In Ballard the dystopia is not hidden "under "anything. Nor is it (as with so many fictional dystopias) a vision of the future. It is not the subtext. It "is "the text....The real shock of "Crash "is that technology has entered into even our most intimate human relations....There is always this mix of futuristic dread and excitement, a sweet spot where dystopia and utopia converge."--Zadie Smith, "The New York Review of Books "
"A work of very powerful originality. Ballard is among our finest writers of fiction."--Anthony Burgess

In Ballard the dystopia is not hidden "under "anything. Nor is it (as with so many fictional dystopias) a vision of the future. It is not the subtext. It "is "the text....The real shock of "Crash "is that technology has entered into even our most intimate human relations....There is always this mix of futuristic dread and excitement, a sweet spot where dystopia and utopia converge. "Zadie Smith, The New York Review of Books"

A work of very powerful originality. Ballard is among our finest writers of fiction. "Anthony Burgess""

In Ballard the dystopia is not hidden under anything. Nor is it (as with so many fictional dystopias) a vision of the future. It is not the subtext. It is the text....The real shock of Crash is that technology has entered into even our most intimate human relations....There is always this mix of futuristic dread and excitement, a sweet spot where dystopia and utopia converge. Zadie Smith, The New York Review of Books

A work of very powerful originality. Ballard is among our finest writers of fiction. Anthony Burgess

"In Ballard the dystopia is not hidden under anything. Nor is it (as with so many fictional dystopias) a vision of the future. It is not the subtext. It is the text..."--Zadie Smith, The New York Review of Books

"A work of very powerful originality. Ballard is among our finest writers of fiction."--Anthony Burgess

"Crash sensationally and scintillatingly succeeds."--Martin Amis

"The last great English avatar of the avant-garde."--Will Self

Reseña del editor

Two young men become obsessed with sexual fantasies involving automobiles, accidents, injuries, and wounds, in a new edition of the underground classic. Reprint.