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For those planning a trip to Edinburgh anytime soon, Rankin's (Dead Souls) novel can serve as a guideDto places to avoid. D.I. John Rebus, of the drinking problem and the surly attitude, is back in a bigger and darker tale that indicts most of Scottish life from its new politics to its old-boy network. Rebus is assigned to a committee that will oversee the refurbishment of Queensberry House, the site of the new Scottish Parliament. From the start, he locks horns with Derek Linford, the inexperienced D.I., who is also the current darling of the higher-ups. From beneath the rubble on which Edinburgh rests, the skeletons start emerging. One desiccated body is found walled up in the site, the remains of violence that occurred 30 years ago. Then the corpse of a prospective member of the new Parliament turns up on the grounds. When a "tramp" who throws himself on the tracks at Waverly Station turns out to have a bank account of 400,000, Rebus wonders if all three deaths are somehow connected. Amid a very large cast, it's difficult sometimes to tell who's who and what's what or to tell the police from their adversaries without a guide. And that's the sobering point of this latest outing from one of the very best practitioners of police procedurals around today. Recommended for all public libraries.
-DBob Lunn, Kansas City P.L. MO
Copyright 2000 Reed Business Information, Inc.
In the 12th novel in the increasingly engaging Inspector Rebus series (Knots and Crosses; Dead Souls; etc.), Gold Dagger award-winner Rankin has woven a plot grittier and tighter than ever. When a body, long dead, is found on the site of the new Scottish Parliament and is soon followed by another, fresher kill, this time that of a leading candidate for the new governing body, Rebus is convinced of a connection between the two. Det. Siobhan Clarke witnesses a third death, the suicide of a surprisingly wealthy homeless man; the question of where his wealth came from seems related to the other deaths. Clarke, a determined young woman trying to make her way in the male world of police work, is a refreshing, complex addition to this series. Meanwhile, Big Ger Cafferty, arch foe of our hero, has been released from jail; he's terminally ill (or is he?) and apparently wants some quality time with Rebus in his final hours. By incorporating other strong characters, Rankin has saved the series from burrowing too far into the maudlin introspection associated with Rebus's drinking problem. Topical Scottish nationalism and the new Parliament, along with Rankin's consistently fascinating view of Edinburgh's seedy side, give the novel interest beyond its plot. And the plot is worthy of the series: raging and racing and teetering on the edge of falling apart, before Rankin slams the reader with a final masterful twist. (Nov.)
Copyright 2000 Reed Business Information, Inc.
When we last saw Rankin's iconolastic Edinburgh copper John Rebus, he was trying to determine if his own soul was every bit as dead as those of the bad guys he struggles to catch (Dead Souls ). The jury's still out on that one, but Rebus has pretty much given up trying to reform: he's hitting the single malt as hard as ever, usually while listening to classic rock and trying to make it through yet another sleepless night, and he continues to antagonize every bureaucrat who comes his way. There are plenty of those this time, as Rebus has been assigned to a bogus task force called the Policing of Parliament Liaison Committee. Things liven up, though, when a body is found inside a bricked-up fireplace in one of the buildings under construction for the new Scottish Parliament. That's a tantalizing-enough mystery, but when a top politico is found dead at the construction site, Rebus has something he can sink his teeth into--a decades-old crime whose tentacles touch the present and lead to a new confrontation with Rebus' longtime nemesis, Edinburgh crime boss Big Ger Cafferty. The Rebus series has leapfrogged to the top of the procedural heap; it's now the standard against which the hard-boiled cop novel must be measured. Nobody writes darker than Rankin; nobody confronts the ravages of the human heart with a sharper or more unflinching eye; and nobody probes quite as deeply into the inner lives of today's browbeaten coppers. Bill Ott
Copyright © American Library Association. All rights reserved
DARKNESS was falling as Rebus accepted the yellow hard hat from his guide.
“This will be the admin block, we think,” the man said. His name was David Gilfillan. He worked for Historic Scotland and was coordinating the archaeological survey of Queensberry House. “The original building is late seventeenth century. Lord Hatton was its original owner. It was extended at the end of the century, after coming into the ownership of the first Duke of Queensberry. It would have been one of the grandest houses on Canongate, and only a stone’s throw from Holyrood.”
All around them, demolition work was taking place. Queensberry House itself would be saved, but the more recent additions either side of it were going. Workmen crouched on roofs, removing slates, tying them into bundles which were lowered by rope to waiting skips. There were enough broken slates underfoot to show that the process was imperfect. Rebus adjusted his hard hat and tried to look interested in what Gilfillan was saying.
Everyone told him that this was a sign, that he was here because the chiefs at the Big House had plans for him. But Rebus knew better. He knew his boss, Detective Chief Superintendent “Farmer” Watson, had put his name forward because he was hoping to keep Rebus out of trouble and out of his hair. It was as simple as that. And if—if—Rebus accepted without complaining and saw the assignment through, then maybe—maybe—the Farmer would receive a chastened Rebus back into the fold.
Four o’clock on a December afternoon in Edinburgh; John Rebus with his hands in his raincoat pockets, water seeping up through the leather soles of his shoes. Gilfillan was wearing green wellies. Rebus noticed that DI Derek Linford was wearing an almost identical pair. He’d probably phoned beforehand, checked with the archaeologist what the season’s fashion was. Linford was Fettes fast-stream, headed for big things at Lothian and Borders Police HQ. Late twenties, practically deskbound, and glowing from a love of the job. Already there were CID officers—mostly older than him—who were saying it didn’t do to get on the wrong side of Derek Linford. Maybe he’d have a long memory; maybe one day he’d be looking down on them all from Room 279 in the Big House.
The Big House: Police HQ on Fettes Avenue; 279: the Chief Constable’s office.
Linford had his notebook out, pen clenched between his teeth. He was listening to the lecture. He was listening.
“Forty noblemen, seven judges, generals, doctors, bankers…” Gilfillan was letting his tour group know how important Canongate had been at one time in the city’s history. In doing so, he was pointing towards the near future. The brewery next door to Queensberry House was due for demolition the following spring. The parliament building itself would be built on the cleared site, directly across the road from Holyrood House, the Queen’s Edinburgh residence. On the other side of Holyrood Road, facing Queensberry House, work was progressing on Dynamic Earth, a natural history theme park. Next to it, a new HQ for the city’s daily newspaper was at present a giant monkey-puzzle of steel girders. And across the road from that, another site was being cleared in preparation for the construction of a hotel and “prestige apartment block.” Rebus was standing in the midst of one of the biggest building sites in Edinburgh’s history.
“You’ll probably all know Queensberry House as a hospital,” Gilfillan was saying. Derek Linford was nodding, but then he nodded agreement with almost everything the archaeologist said. “Where we’re standing now was used for car parking.” Rebus looked around at the mud-coloured lorries, each one bearing the simple word DEMOLITION. “But before it was a hospital it was used as a barracks. This area was the parade ground. We dug down and found evidence of a formal sunken garden. It was probably filled in to make the parade ground.”
In what light was left, Rebus looked at Queensberry House. Its grey harled walls looked unloved. There was grass growing from its gutters. It was huge, yet he couldn’t remember having seen it before, though he’d driven past it probably several hundred times in his life.
“My wife used to work here,” another of the group said, “when it was a hospital.” The informant was Detective Sergeant Joseph Dickie, who was based at Gayfield Square. He’d successfully contrived to miss two out of the first four meetings of the PPLC—the Policing of Parliament Liaison Committee. By some arcane law of bureaucratic semantics, the PPLC was actually a subcommittee, one of many which had been set up to advise on security matters pertaining to the Scottish Parliament. There were eight members of the PPLC, including one Scottish Office official and a shadowy figure who claimed to be from Scotland Yard, though when Rebus had phoned the Met in London, he’d been unable to trace him. Rebus’s bet was that the man—Alec Carmoodie—was MI5. Carmoodie wasn’t here today, and neither was Peter Brent, the sharp-faced and sharper-suited Scottish Office representative. Brent, for his sins, sat on several of the subcommittees, and had begged off today’s tour with the compelling excuse that he’d been through it twice before when accompanying visiting dignitaries.
Making up the party today were the three final members of the PPLC. DS Ellen Wylie was from C Division HQ in Torphichen Place. It didn’t seem to bother her that she was the only woman on the team. She treated it like any other task, raising good points at the meetings and asking questions to which no one seemed to have any answers. DC Grant Hood was from Rebus’s own station, St. Leonard’s. Two of them, because St. Leonard’s was the closest station to the Holyrood site, and the parliament would be part of their beat. Though Rebus worked in the same office as Hood, he didn’t know him well. They’d not often shared the same shift. But Rebus did know the last member of the PPLC, DI Bobby Hogan from D Division in Leith. At the first meeting, Hogan had pulled Rebus to one side.
“What the hell are we doing here?”
“I’m serving time,” Rebus had answered. “What about you?”
Hogan was scoping out the room. “Christ, man, look at them. We’re Old Testament by comparison.”
Smiling now at the memory, Rebus caught Hogan’s eye and winked. Hogan shook his head almost imperceptibly. Rebus knew what he was thinking: waste of time. Almost everything was a waste of time for Bobby Hogan.
“If you’ll follow me,” Gilfillan was saying, “we can take a look indoors.”
WHICH, TO Rebus’s mind, really was a waste of time. The committee having been set up, things had to be found for them to do. So here they were wandering through the dank interior of Queensberry House, their way lit irregularly by unsafe-looking strip lights and the torch carried by Gilfillan. As they climbed the stairwell—nobody wanted to use the lift—Rebus found himself paired with Joe Dickie, who asked a question he’d asked before.
“Put in your exes yet?” By which he meant the claim for expenses.
“No,” Rebus admitted.
“Sooner you do, sooner they’ll cough up.”
Dickie seemed to spend half his time at their meetings totting up figures on his pad of paper. Rebus had never seen the man write down anything as mundane as a phrase or sentence. Dickie was late thirties, big-framed with a head like an artillery shell stood on end. His black hair was cropped close to the skull and his eyes were as small and rounded as a china doll’s. Rebus had tried the comparison out on Bobby Hogan, who’d commented that any doll resembling Joe Dickie would “give a bairn nightmares.”
“I’m a grown-up,” Hogan had continued, “and he still scares me.”
Climbing the stairs, Rebus smiled again. Yes, he was glad to have Bobby Hogan around.
“When people think of archaeology,” Gilfillan was saying, “they almost always see it in terms of digging down, but one of our most exciting finds here was in the attic. A new roof was built over the original one, and there are traces of what looks like a tower. We’d have to climb a ladder to get to it, but if anyone’s interested…?”
“Thank you,” a voice said. Derek Linford: Rebus knew its nasal quality only too well by now.
“Creep,” another voice close to Rebus whispered. It was Bobby Hogan, bringing up the rear. A head turned: Ellen Wylie. She’d heard, and now gave what looked like the hint of a smile. Rebus looked to Hogan, who shrugged, letting him know he thought Wylie was all right.
“How will Queensberry House be linked to the parliament building? Will there be covered walkways?” The questions came from Linford again. He was out in front with Gilfillan. The pair of them had rounded a corner of the stairs, so that Rebus had to strain to hear Gilfillan’s hesitant reply.
“I don’t know.”
His tone said it all: he was an archaeologist, not an architect. He was here to investigate the site’s past rather than its future. He wasn’t sure himself why he was giving this tour, except that it had been asked of him. Hogan screwed up his face, letting everyone in the vicinity know his own feelings.
“When will the building be ready?” Grant Hood asked. An easy one: they’d all been briefed. Rebus saw what Hood was doing—trying to console Gilfillan by putting a question he could answer.
“Construction begins in the summer,” Gilfillan obliged. “Ev...
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