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Sweeney, a writer for the Irish Times, got a healthy advance for this first novel, published in England in 1997 to solid reviews. He's said to be a cross between Frank McCourt and Cormac McCarthy, and he's certainly claiming attention as a contemporary Irish voice. (The title refers to waiting for the pubs to open each day.) Paul Kelly, a London pub manager, left Ireland under a cloud eight years ago. Now widowed and the father of a four-year-old girl, he is drawn home to avenge his brother's murder. Paul is quickly sucked back into a vicious street life as he and a mate hunt for the killer of both their brothers. His wife's heroin-related death is gradually revealed, transforming Paul's quest for revenge into a search for redemption. In illuminating damaged lives, Sweeney captures their language in cadence and numbing profanity. Surprisingly enough, the novel ends on a positive note. For literary collections.?Rebecca Sturm Kelm, Northern Kentucky Univ. Lib., Highland Heights
Copyright 1998 Reed Business Information, Inc.
A grim, angry, profane, and entirely convincing debut novel
about the furies at work in the Irish soul, by a young Irish
journalist.
Sweeney's short fiction has already garnered him a number of
awards, and it's not hard to see why. This tale, of the desperate
return of Paul Kelly to his native village, after years spent
abroad, offers an assured portrait of a society fueled by liquor
and anger, and consumed by the need to somehow apportion blame
for life's frustrations. Paul, who had left the village of
Rathbawn eight years before, comes back only when his younger
brother is mysteriously murdered. Driven by guilt over the death
of his wife in England, doubting his ability to raise their young
daughter, Kaya, on his own, and uncertain of his own place in the
world, Paul sets out to track down his brother's murderers,
believing that if he can just find them, and take an appropriate
revenge, his troubles can be laid to rest. Accompanied by a
zestfully violent old friend, with his own scores to settle, Paul
begins to ask questions, and his search peels away the many
layers of hard life in the village, throwing him into the path of
thugs, and the elusive IRA, drawing him deeper into his own
family's tangled history before the murderer, and the tawdry
motive for the crime, emerge. Along the way, the narrative is
saturated in booze; everyone drinks, and Paul seems determined to
drink himself into a perpetual stupor. (The title refers to the
first, saving, drink of the day.) Sweeney narrates much of the
tale in the coarse, vibrant slang the streets, reminiscent of the
style of such authors as Roddy Doyle. But his focus on questions
of responsibility and redemption seems entirely his own.
Paul's salvation, when it comes, is hard-won and persuasive.
Like everything else in this book, it has an authenticity found
only in the work of first-rate writers. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
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