A journalist for the The New Yorker takes a close-up look at a chilling 1993 murder case in Great Britain in which two ten-year-old boys killed a younger boy. 25,000 first printing. Tour."
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When toddler James Bulger was abducted and killed by two ten-year-old boys in Liverpool, England, the question asked around the world was how could such young children commit such a crime. Morrison (And When Did You Last See Your Father? St. Martin's, 1995) covered the trial for the New Yorker and in this volume describes not only the crime and the trial but includes ruminations on such varied topics as The Children's Crusade, parenthood, and the debate about age and responsibility. The writing is excellent, and Morrison ties all his wide-ranging thoughts seamlessly back to the courtroom events, the accused, and the victim. He writes of his own dark thoughts as a parent who worries for his child's safety and of his concern about the larger problem of crimes committed worldwide by children. A thought-provoking, often disturbing book. For all library collections.?Christine A. Moesch, Buffalo & Erie County P.L., N.Y.
Copyright 1997 Reed Business Information, Inc.
Literary journalist Morrison's reportage of the infamous
1993 child-murder of James Bulger turns into a semi-confessional
meditation on illusory childhood innocence and collective guilt.
After his revealing and moving patrimonial memoir, And When
Did You Last See Your Father? (1995), Morrison moves to murkier
ground as he covers the trial of ten-year-old murderers Jon
Venables and Robert Thompson. The British trial of the century
was supposed to answer the question of why as well as how the
pair abducted a two-year-old from a shopping center and killed
him after a day of wandering around Liverpool. Reporting for the
New Yorker, Morrison is dubious from the outset about the
trial--charging the two as adults for murder, the conduct of the
police and social services, the legal question of doli incapax,
i.e., moral unawareness, and the barely contained public
spectacle. Although Morrison was allowed to attend the court
proceedings throughout, he does not have much of substance to
impart to readers, either about the investigation and evidence or
the character of the children and parents involved; the lingering
questions about the pair's motives and possible abuse by their
own families linger still at book's end. Baffled by the enormity
of this crime, Morrison stops trying to re-create the
circumstances in his imagination and begins to examine his own
conscience about parenthood and childhood. The
literary-confessional dimension of As If, occasionally hampered
by pretentious allusions, includes his mullings over his
experiences of pre-teen sex and a deftly ambiguous description of
putting his infant daughter to bed--which, if read from a
different angle, could make Humbert Humbert blush.
A candid challenge to John Major's hardened pronouncement on
juvenile crime, ``We must condemn a little more, and understand a
little less,'' but with mixed results in the end. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
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