An engrossing biography of the longest-reigning female pharaoh in Ancient Egypt and the story of her audacious rise to power.
Hatshepsut—the daughter of a general who usurped Egypt's throne—was expected to bear the sons who would legitimize the reign of her father’s family. Her failure to produce a male heir, however, paved the way for her improbable rule as a cross-dressing king. At just over twenty, Hatshepsut out-maneuvered the mother of Thutmose III, the infant king, for a seat on the throne, and ascended to the rank of pharaoh.
Shrewdly operating the levers of power to emerge as Egypt's second female pharaoh, Hatshepsut was a master strategist, cloaking her political power plays in the veil of piety and sexual reinvention. She successfully negotiated a path from the royal nursery to the very pinnacle of authority, and her reign saw one of Ancient Egypt’s most prolific building periods.
Constructing a rich narrative history using the artifacts that remain, noted Egyptologist Kara Cooney offers a remarkable interpretation of how Hatshepsut rapidly but methodically consolidated power—and why she fell from public favor just as quickly. The Woman Who Would Be King traces the unconventional life of an almost-forgotten pharaoh and explores our complicated reactions to women in power.
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KARA COONEY is an associate professor of Egyptian art and architecture at UCLA in the Department of Near Eastern Languages and Cultures. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Cooney produced a comparative archaeology series entitled Out of Egypt, which aired on the Discovery Channel and is streaming on Netflix.
One
Divine Origins
The Nile, lifeblood of the world's first great civilization, flowed calmly outside her palace window. The inundation had receded, and she could see the farmers readying themselves in the predawn hour, milking their cows, getting their sacks of emmer and barley seed ready to cast upon the rich black earth. In a few hours, the air would fill with the sounds of men shouting, children laughing, and animals bleating as they ran behind the plows, treading upon the scattered seeds and driving them into the soil. But for now, the sun was yet to crest the horizon. There was still time before she would be called to awaken the god in the temple. The girl dismissed her handmaiden to have a moment of privacy for herself.
Hatshepsut was around sixteen years old, and her life's purpose was over. Her husband Aakheperenre Thutmose, Lord of the Two Lands, King of Upper and Lower Egypt, may he live, was gravely ill, despite his youth. He and Hatshepsut had failed to produce an heir. She had only one daughter, Nefrure, who was strong and healthy but just two years old--not old enough to marry, reproduce, or forge the alliances that princesses so often do. Hatshepsut herself was the daughter of the previous king and was married to her father's successor--her own younger brother. She now sat as the king's highest-ranking wife. Her bloodline was impeccable: daughter of the king, sister of the king, wife of the king. Her biggest failing was not giving birth to a son: the heir to the throne would not come from her.
Why had Amen-Re, the king of the gods, not blessed Egypt with a son of pure royal blood? Why had he only given Hatshepsut a daughter? A man could spread his seed and produce offspring in profusion. A woman's womb could give but one child a year. And Hatshepsut's womb had been blessed only with a girl--or at least Nefrure was the only child that had lived.
Her husband did have some boys in the royal nursery--but from other mothers. The kingship should always pass from father to son; however, these boys were mere babies. The king had only been on the throne for three short years, not long enough to sire a stable of healthy potential heirs. And worse than that, the mothers of these children were nothing more than Ornaments of the King--pretty young things brought in to arouse the king's pleasure, with faces and bodies that would excite even the most sickly of monarchs. These girls had no family connections of any importance. How could one of these women be elevated to King's Mother? The idea was insupportable.
Hatshepsut understood that she wielded great power as queen. Her husband had never been in good health. His kingship had never been expected, but his two elder brothers died before they could take the throne. Thus Thutmose was not trained for kingship as he should have been. When they married, it was Hatshepsut who advised her brother on which officials to trust, which families to avoid, and how to make his mark as a monarch. It still seemed to her as if he had been plucked from the royal nursery one day, called to be king, to his own horror as much as anyone else's. The heartbreaking death of one brother after another had brought the crown to young Thutmose and the queenship to Hatshepsut. From as far back as she could remember, Hatshepsut understood that she was training for a life of great power and influence. But now it was all over. With no direct connection to the next king, she would be shut out of worldly affairs, her life's journey confined within luxurious palace walls.
But Hatshepsut still walked the halls of power as the God's Wife of Amen. And she sensed that it might be difficult for people to support the claim of an infant to the crowns of the Two Lands. Would their subjects watch passively as a young prince without connections, the son of one of the King's Beauties, was propped up as king? Such a vulnerable monarch could only be maintained if Hatshepsut stood behind him as his regent and made the decisions; otherwise, all would be lost; her father's Thutmoside line would be broken after only two generations. Many great men of the court were emphasizing their connections back to the Ahmoside family--the kings who had ruled before her father--in an attempt to lay claim to the thrones of Upper and Lower Egypt; if the White and Red crowns passed to one of them instead of to a son of her brother, then all that her parents had entrusted to her would be lost. It would be a shameful end to her father's dynasty: dying out after only two Thutmoside kings--her father and her brother. Somehow she had to create the circumstances for a third Thutmoside king.
Hatshepsut was not only the King's Great Wife but also the God's Wife of Amen, and she understood how to use that position. She served as the most important priestess in all of Egypt and had been trained from childhood by Ahmes-Nefertari, the most revered and aged royal queen and priestess in the land. As Hatshepsut prepared for her duties at the temple, she decided to ask the god what to do. She would place the burden in his hands.
Somewhere beyond the palace, she heard the beating of drums and the shaking of sistra. It was time to awaken Amen.
Hatshepsut hurried into the temple of Ipet-Sut, the Chosen Place for the gods of Thebes, moving through a series of majestic plastered gateways, light-filled courtyards, cool columned halls, and dark, smoke-filled inner sanctuaries, to her own robing rooms. As was her daily custom, she bathed in the sacred lake within the temple walls; the dawn air chilled her flesh. Having been thus purified in preparation for the morning meal with the god, she was anointed with oils by her Divine Adoratrices and then dressed in a pure linen robe pleated with hundreds of folds pressed into the gauzy fabric. This particular morning was not a festival day, so the temple staff had to complete only the simplest of preparations, which included the slaughter of a bull for the god's meal of a few dozen courses of milk, cakes, breads, and meats. To Hatshepsut, this temple was a second home. She found comfort in the juxtaposition of its frenetic activity against a calm, divine presence. Frantic priests ran through their preparations in the outer rooms as she walked with her ladies deep into the very heart of the temple. The chanting and drumbeats now sounded more distant as she entered the small, dark, windowless sanctuary where Amen dwelled--a room filled with brightly painted relief whose low ceiling and close walls acted as a womb of rebirth for the god. Finally, she stood before the shrine of Amen himself; in the lamplight, gold and lapis gleamed through the incense smoke, a sight that never failed to set her heart pounding.
The First High Priest of Amen joined Hatshepsut in the sanctuary while the Second High Priest arranged the sacred texts and instruments. After all the offerings of food and drink were arrayed, the lower-ranked priest retreated from the sanctuary, wiping away his footprints as he backed out of the room. The next moments of the ritual involved waking the vulnerable god from his sleep of death. All but the most important priests waited outside in the offering hall, shaking their sistra and beating drums to calm the god and to keep danger at bay. Only Hatshepsut and the First High Priest were able to witness the god's visage and exposed body. The high priest was the first to approach the shrine of Amen. With cool and reverent hands, he removed veils covering the unknowable and hidden image. The fact that the Great God was an immobile statue of gold did not make him any less real.
Closing her eyes, Hatshepsut began the incantations to awaken the god, calling him to his meal. Shuffling behind her, the First High Priest burned wax figures of the enemies of Egypt, so that the sanctuary would be clear of any danger. All around them incense burned in profusion,...
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Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Sam Weber (Jacket illustration) (illustrator). xvi, 298, [6] pages. Endpaper maps. Chronology. Author's Note. Illustrations. Notes. Further Reading. Index. There is slight wear around the edges of the book. Kathlyn M. (Kara) Cooney is an Egyptologist, archaeologist, professor of Egyptian Art and Architecture at UCLA and chair of the Department of Near Eastern Language and Cultures at UCLA. As well as for her scholarly work, she is known for hosting television shows on ancient Egypt on the Discovery Channel as well as for writing a popular book on the subject. She specializes in craft production, coffin studies, and economies in the ancient world. An engrossing biography of the longest-reigning female pharaoh in Ancient Egypt and the story of her audacious rise to power. Hatshepsut-the daughter of a general who usurped Egypt's throne-was expected to bear the sons who would legitimize the reign of her father's family. Her failure to produce a male heir, however, paved the way for her improbable rule as a cross-dressing king. At just over twenty, Hatshepsut outmaneuvered the mother of Thutmose III, the infant king, for a seat on the throne, and ascended to the rank of pharaoh. Shrewdly operating the levers of power to emerge as Egypt's second female pharaoh, Hatshepsut was a master strategist, cloaking her political power plays in the veil of piety and sexual reinvention. She successfully negotiated a path from the royal nursery to the very pinnacle of authority, and her reign saw one of Ancient Egypt's most prolific building periods. Constructing a rich narrative history using the artifacts that remain, noted Egyptologist Kara Cooney offers a remarkable interpretation of how Hatshepsut rapidly but methodically consolidated power and why she fell from public favor just as quickly. The Woman Who Would Be King traces the unconventional life of an almost-forgotten pharaoh and explores our complicated reactions to women in power. Derived from a Kirkus review: Cooney re-creates the life of "the first woman to exercise long-term rule over Egypt as a king." The author endeavors to discover why history rejected Hatshepsut's remarkable achievements. Twenty-five years after her death, her surviving co-king decided to obliterate her image and name from carvings throughout the land. As Cooney admits, this biography could only be based on conjecture and guesswork, but the addition of expertise makes it well worth reading. The author's Egyptology background provides the nitty-gritty of daily life and animates this king (at the time, there was no word for "queen"). The surviving buildings and carvings of Hatshepsut's 22-year reign serve as evidence of her accomplishments. Upon the death of her father, Thutmose, Hatshepsut was married, as was customary, to her brother, the short-lived Thutmose II. She was already Egypt's high priestess, and she now became the King's Great Wife. Widowed after a few years, she became regent for the infant Thutmose III, making her the most powerful person in Egypt. Eventually, she had herself crowned king and reigned with him until her death. How she gathered and maintained her power is simple enough: money. It was a period of strong trade, uninterrupted annual inundation of the Nile River and successful empire building. Hatshepsut professionalized the priesthood and the army, and she spent fortunes expanding the empire and quickly rewarding those who served her. Furthermore, as high priestess, it was she who delivered Amun-Re's rules and decisions. The image of this woman became increasingly masculinized as her reign progressed, reflecting the age-old distrust of a woman with authority. Of course, there are still questions, but Cooney's detective work finally brings out the story of a great woman's reign. First Edition [Stated], Second Printing [Stated]. Artikel-Nr. 88896
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