Hailed by The New York Times as “a natural-born storyteller,” the acclaimed author ofRules of the Wild gives us nine incandescently smart stories, funny, elegant, and poignant by turns, that explore the power of change—in relationships, in geographies, and across cultures—to reveal unexpected aspects of ourselves.
Taking us to Venice during film festival season, where a woman buys a Chanel dress she can barely afford; to a sun-drenched Greek village at the height of the summer holidays, where a teenager encounters the shocks of first love; and to a classical dance community in southern India, where a couple gives in to the urge to wander, these remarkable tales bring to life characters stepping outside their boundaries into new passions and destinies. Enlivened by Francesca Marciano’s wit, clear eye, and stunning evocations of people and places, The Other Language is an enthralling tour de force rich with many pleasures.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
FRANCESCA MARCIANO is the author of the novels Rules of the Wild, Casa Rossa, andThe End of Manners. She lives in Rome.
from The Presence of Men
The bells woke Lara up at seven. When she opened her eyes under the tall vaulted ceiling, for a split second she felt as though she were inside a church. It had been her first night in the new house in the village and she’d slept beautifully.
She was emerging from the shower in her plum-colored, Moroccan-style bathroom when she heard a vigorous knock at the front door. Still dripping wet, she ran down in her robe, crossed the courtyard and opened the old wooden door, which had been painstakingly sandpapered and waxed. A small woman of indefinite age, with an old-fashioned perm, her body shaped like a box, was staring at her.
“You are the person who bought this house?” she asked, her voice loud as a trumpet. She was a local, as Lara could tell from her accent. She nodded.
“Ha ha! At last you are here in person!” the little woman said with a cruel smile and slid herself inside the courtyard like an eel.
“For months all I’ve been seeing are your builders. Very rude people. Where do they come from?”
“Martano, I think. Why?” Lara wondered if the small woman had come to give her some kind of fine, although she wore no uniform.
“I knew it. Martano people are all thieves.”
“I’m so sorry, signora. Was there a problem?”
The woman ignored her and proceeded to take a long, critical look at the potted plants that filled the courtyard, at the indigo blue table and matching chairs that Lara had spotted in a magazine and bought online. She closely examined the pale dusty mauve of the walls, a hue that had cost days of trial and error.
“I see you have changed everything in here.”
Lara wasn’t sure where this might be leading.
“Well, I have restored the place. It was a ruin.”
The woman ignored her and peered some more. “My great-aunt lived in this house,” she said.
She brushed the smooth surface of the wall, then moved swiftly toward the glass door of what used to be the barn and glanced inside.
“She used to keep her donkey in there,” she said, pointing at the space.
“Oh yes? Well, that’s the living room now.”
“She never married, she worked very hard all her life. She was a very clever woman.”
Lara tried a friendlier expression. All this might be pretty sweet, after all. “So you knew this place from the time she lived here? How nice. Would you like to see what it looks like now?”
Lara opened the glass door, which gave into the ex-barn-now-living-room, but the woman was already snooping inside the kitchen on the opposite side of the courtyard.
“I knew this place like the back of my hand. We used to play in here all the time when we were children.”
She stepped into the kitchen and Lara followed her. There were still unopened boxes on the floor; the stainless steel surfaces of the brand-new appliances glinted in the shady room. The woman gave a yelp.
“See! I had heard from people you had done this, but I wanted to see for myself.”
“Had done what?” Lara asked.
The woman was glaring at the opposite wall.
“This thing you have done in here, is a mortal sin.”
By now, had she been in Rome, Lara would have normally lost her patience and asked her to leave, but it was her first contact with any of her neighbors in the village and she sensed she’d reached a delicate intersection that required some caution.
“A mortal sin!” the little woman repeated in a thundering voice.
“Please have a seat. Can I offer you a cup of coffee?”
“No.”
“Okay. Then please, what is it that I did?”
“The forno. You tore it down.”
Lara crossed her arms.
“Yes I did, the architect . . . my friend,” she said, but immediately regretted bringing an architect into the conversation. “It was as big as a room. It took up too much space, it took half the courtyard.”
But the woman was right; when, a year earlier, Lara had bought the house in the heart of the village, she’d taken Silvana, her architect friend, to see it. She was a towering woman in her forties with flaming hennaed hair who on principle never came off her high heels, especially when marching through building sites (“height gains you respect, it’s Pavlovian”). Silvana had paced inside the old building not uttering a sound, with an air of concern. Maybe it was just her way, or maybe she didn’t approve of the house. Lara had begun to worry. Silvana had taken one look at the opening of the gigantic wood oven in the kitchen and before Lara could say anything she’d climbed inside it with the speed of a crab, holding her flashlight.
“It’s gigantic. And totally useless,” her voice had boomed from the dark interior, like Jonah’s from inside the whale.
She’d reappeared, her clothes coated in blackish dust, then effortlessly slid out of the oven mouth. She had a big grin on her face.
“Good. We can gain some space. I feel a lot better now.”
So the forno went down, and what was once a dark chamber was now a third of her courtyard.
The little woman waved her index finger at Lara like a mad evangelist.
“You tore down the last oven of this village to gain a little space for your plants. That forno was a public monument. It was part of our history!”
The woman shook her head with disdain.
“Yes, I was told this room was the village bakery. But as I told you the wood oven took half the space of the courtyard. I mean, it went from here all the way to . . .” Lara made a sweeping arc with her hand across the expanse of the courtyard.
“This was not a bakery. It was a communal oven. An oven where people could bring their own loaves of bread. Bread and pies, so that my aunt could bake for them. She only charged ten, twenty liras a piece. We all came here as children with our tins, everyone did, every Saturday . . .”
“Did you? How nice. So, what did . . .” Lara loved stories like this, it was part of what had drawn her to the village in the first place. But the woman was talking right over her question.
“ . . . And in winter, when it was really cold, this was the warmest room in the whole village, so we sat in that corner, see? My aunt used to have a wooden bench right there.”
The woman gestured to the wall where now sat the dishwasher still sheathed in its cardboard box.
“My aunt would give us sweets while we waited. In the summer we’d wait outside in the garden, and we’d play with the donkey. This is how things were in this village up until only forty, fifty years ago.”
The little woman grabbed a chair and slumped on it, hands entwined on her lap. Her feet barely touched the ground. Lara was beginning to feel it had been a mistake to let this creature in. Obviously this was only the beginning of something far more serious than Lara had envisaged.
The little woman went on. “But of course, what do you care? You people come from the outside and assume everything here is up for sale and you think you have a...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Good. A teenage girl encounters the shocks of first love at the height of the summer holidays in Greece. A young filmmaker celebrates her first moment of recognition by impulsively buying a Chanel dress she can barely afford. Both halves of a longstanding couple fall in love with others and shed their marriage in the space of a morning. In all of these sparkling stories, characters take risks, confront fears, and step outside their boundaries into new destinies. Tracing the contours of the modern Italian diaspora, Francesca Marciano takes us from Venetian film festivals to the islands off Tanzania to a classical dance community in southern India. These stories shine with keen insights and surprising twists. Driven by Marciano's vivid takes on love and betrayal, politics and travel, and the awakenings of childhood, The Other Language is a tour de force that illuminates both the joys and ironies of self-reinvention. Artikel-Nr. 00095143499
Anzahl: 4 verfügbar
Anbieter: Wonder Book, Frederick, MD, USA
Zustand: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects. Artikel-Nr. S09E-01366
Anzahl: 1 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 3986322-6
Anzahl: 2 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0307908364I5N10
Anzahl: 1 verfügbar
Anbieter: HGG Books, Slingerlands, NY, USA
Hardcover. First Edition. Stated first edition with full number lineclean pages, tight binding, clean boards, original dust jacket , original dust jacket over cloth boardsPlease contact us about shipping costs for international orders of over-sized books or multi-book sets. We are happy to provide accurate quote prior to purchase. clean pages, tight binding, clea original dust jacket over cloth. Artikel-Nr. 0307908364
Anzahl: 1 verfügbar
Anbieter: Dan Pope Books, West Hartford, CT, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition. First printing (with full number line including 1). Hardbound. Fine in a fine jacket. A clean tight copy, with publisher's price intact on front jacket flap ($24.95). Comes with archival-quality mylar jacket protector. Smoke-free. Ships in well padded box. Artikel-Nr. Fiction-M-2022-14
Anzahl: 1 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR007653955
Anzahl: 2 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 304 pages. 9.75x6.25x1.25 inches. In Stock. Artikel-Nr. 0307908364
Anzahl: 1 verfügbar
Anbieter: Dan Pope Books, West Hartford, CT, USA
Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition. First printing. Hardbound. SIGNED AND DATED BY AUTHOR on title page in month of publication, April 2004. New! A pristine unread copy. Very fine/very fine. Comes with mylar dust jacket protector. Smoke free shop. Shipped in sturdy box with bubble wrap. Note: Author has signed and dated the book in the month of publication, April 2014, and noted the place of signing (NYC). You cannot find a better copy. Signed by Author(s). Artikel-Nr. have45
Anzahl: 1 verfügbar
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Hardcover. Zustand des Schutzumschlags: dj. First Edition, First Printing. Octavo, 287 pages. In Very Good condition with Very Good condition dust jacket. Spine is yellow with brown lettering. Dust jacket protected by mylar covering, price uncut: "$24.95" on front flap, has mild sun-fading along spine. Boards have mild shelving wear along spine tail. Signed flat on title page by Francesca Marciano. Shelved in Room Z. 1404665. Special Collections - Upstairs. Signed. Artikel-Nr. 1404665
Anzahl: 1 verfügbar