Never the Bride: A Novel - Softcover

Gutteridge, Rene; McKay, Cheryl

 
9780307444981: Never the Bride: A Novel
Softcover
ISBN 10: 0307444988 ISBN 13: 9780307444981
Verlag: PRH Christian Publishing, 2009

Inhaltsangabe

“What girl can’t identify with Never the Bride? This is a fabulously funny novel with deep truths embedded in its pages.” –Kristin Billerbeck, author of What a Girl Wants

“I admire writers who employ words to paint touchable pictures, likable characters, introducing us to instant friends who lead us to unexpected endings. That’s why I love Never The Bride.” –SQuire Rushnell, author of the When GOD Winks books


Eleven Bridesmaid Dresses Don’t Lie

Since she was just a little girl, Jessie Stone dreamed up hundreds of marriage proposals, doodled the romantic ideas in her journal with her treasured purple pen, and fantasized about wedding dresses and falling in love.  She’s been a bridesmaid nearly a dozen times, waved numerous couples off to sunny honeymoons, and shopped in more department stores for half-price fondue pots than she cares to remember.
 
But shopping for one key component of these countless proposals hasn't been quite as productive–a future husband. The man she thought she would marry cheated on her.  The crush she has on her best friend Blake is at very best…well, crushing.  And speed dating has only churned out memorable horror stories.

So when God shows up one day, in the flesh, and becomes a walking, talking part of her life, Jessie is skeptical. What will it take to convince her that the Almighty has a better plan than one she’s already cooked up in her journals?  Can she turn over her pen and trust someone else to craft a love story beyond her wildest dreams?


Cheryl McKay is the screenwriter for the award-winning film The Ultimate Gift. She also wrote an episode of Gigi: God’s Little Princess, based on the book by Sheila Walsh, and Taylor’s Wall, a drama about high-school violence. She’s been writing since the tender age of five when she penned her first play. Cheryl is originally from Boston, Massachusetts, and currently lives in Los Angeles.

Rene Gutteridge is a critically acclaimed comedy writer and novelist. She is the author of fifteen novels including the Boo series, My Life as a Doormat, the Occupational Hazards series, and the novelization of the motion picture The Ultimate Gift. She lives in Oklahoma with her family.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorin bzw. den Autor

Rene Gutteridge has published thirteen novels including Ghost Writer, My Life as a Doormat, the Boo Series, the Occupational Hazards Series, and the Storm Series. Together, McKay and Gutteridge are the authors of The Ultimate Gift, a novelization based on the feature film and popular book by the same title.

Cheryl McKay wrote the screenplay for the award-winning film, The Ultimate Gift, starring James Garner, Abigail Breslin and Brian Dennehy. She co-authored Frank Peretti's Wild & Wacky Totally True Bible stories series, and the DVD for Sheila Walsh 's Gigi: God's Little Princess.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

You don't know me yet, so there is no reason you should care that I’m stuck on a highway with a blow out. But maybe we can relate to each other. Maybe you can understand that when I say, “Everything goes my way,” I’m being sarcastic. Not that I’musually dependent on such a primitive form of communication. I’m actually not very cynical at all. I’m more of a glass-half-full-of-vitamin-infused-water person. Sometimes I even believe that if I dream something, or at least journal it, it will happen. But today, at eight forty-five in the morning, as the sun bakes me like a cod against the blacktop of the Pacific CoastHighway, I’m feeling a bit sarcastic.


It’s February but hotter than normal, which means a long, hot California summer is ahead—the kind that seems to bring out the beauty in blondes and the sweat glands in brunettes. I am a brunette. Not at all troubled by it. I don’t even have my hair highlighted. I own my brunetteness and always have, even when Sun-In was all the rage. And it can’t be overstated that chlorine doesn’t turn my medium chestnut hair green. Actually, it’s the copper, not the chlorine, that turns hair green—but that’s a useless trivia fact I try to save for speed dating.


I’m squatting next to my flat tire, examining the small rip. Holding my hair back and offmy neck with one hand, I stand and look up and down the road, hoping to appear mildly distressed. Inside, I’ll admit it, I’mfeeling moderately hysterical.My boss flips out when I’m late. It wouldn’t matter if my appendix burst, he doesn’t want to hear excuses. I wish he were the kind of guy who would just turn red in the face and yell, like Clark Kent’s newspaper boss. But no. He likes to lecture as if he’s an intellectual, except he’s weird and redundant and cliché, so it’s painful and boring.


A few cars zoom by, and I suddenly realize this could be my moment. Part of me says not to be ridiculous, because this kind of thing happens only on shows with a zip code or county name in the title. But still, you can’t help wondering, hoping, that maybe this is the moment when your life will change.When you meet your soul mate.


Like I said, I enjoy my glass/life half full.


Even as an optimist, I see no harm in being a little aggressive to achieve my goals. So with my free hand, I do a little wave, throw a little smile, and attempt to lock eyes with people going fifty miles an hour. And then I see him.

He’s in a red convertible, the top down, the black sunglasses shiny and tight against his tan skin.He’s wearing pink silk the way only aman with a good,measured amount of confidence can. At least that’s the way I see it from where I’m standing.


As he gets closer, his head turns and he notices me. I do a little wave, flirtatious with a slight hint of unintentional taxi hailing. I decide to smile widely, because he is going fast and I might look blurry. He smiles back.My hand falls to my side. I step back, lean against my car and try to make my conservative business suit seem flattering.There’s nothing I can do about my upper lip sweating except hope my sweatproof department store makeup is holding up its end of the bargain better than my blowout-proof tire did.


He seems to be slowing down.


Live in the moment, I instruct myself. Don’t think about what I should say or what I could say. Just let it roll, Jessie, let it roll. Don’t over think it.


This thought repeats itself when the convertible zooms by. I think he actually accelerated.


So. My makeup is failing, along with whatever charm I thought I had. I just can’t imagine what kind of guy wouldn’t stop and help a woman. Maybe I’d have more hits if I were elderly.


I do what I have to do.What I know how to do. I change my own stupid tire. Yes, I can, and have been able to since I was eighteen. I can also change my own oil but don’t because then I appear capable of taking care of myself. And I’m really not. Practically, yes, I can take care of myself. I make decent money. I drive myself home from root canals. I open cans without a can opener. I’m able to survive for three days in the forest without food or water, and I never lost sleep over Y2K.


But I’mt alking about something different. I’m talking about being taken care of in an emotional way. Maybe it’s a genetic problem. I don’t know. Somehow I became a hopeless romantic. A friend tried the exorcism-equivalent of purging me of this demon when she made me watch TheWar of the Roses two times in a row, all under the guise of a girls’ night, complete with popcorn and fuzzy slippers.


That didn’t cure me.


I want to be married. I hate being alone.


I lift the blown-out tire and throw it in my trunk, slamming it closed.My skin looks like condensation off a plastic cup. I can’t believe nobody has stopped. Not even a creepy guy. I stand there trying to breathe, trying to get a hold of my anger. I’m going to be late, I’m going to be sweaty, and I’m on the side of a highway alone.


“You need some help?”


I whirl around because I realize that I’ve just been hoping that even a creepy guy would stop, and since my world works in a way that only my negative thoughts seem to come to pass, you can see why the glass-half-full is so important.


The morning sun blinds me and all I see is a silhouette.The voice is deep, kind of mature.


“Well, I did need some help,” I say, fully aware that acting cute is not going to undo the sweat rings that have actually burst through three layers of fabric, so I don’t bother. I dramatically gesture tomy car and try a smile. “But as you can see, I don’t now.”


“You’re sure?”


“Yes. But thank you very much,” I say, for stopping after I’m completely finished. I trudge back to my car and start the air conditioner. Glancing back in my rearview mirror, I study the silhouette. He sort of has the same shape as the guy in my dream last night. My night- mare. It was actually a dream after my nightmare, where you feel awake but you’re not. It wasn’t the nocturnal version of Chainsaw Massacre, but it did involve taffeta.


He doesn’t wave. He doesn’t move. He just stands there, exactly like the guy in my dream. It’s very déjà vu–like and I lock my doors.


I put my blinker on, pull onto the highway, and leave him behind, driving below the speed limit on my flimsy spare tire all the way to work.


I work at Coston Real Estate.We’re squeezed between a wireless store and a Pizza Hut.We stand out a little because of our two huge dark wood doors, ten feet tall and adorned with silver handles. I push open one of the doors and walk in.Mine is the front desk. It’s tall, almost BerlinWall-like. People have to peer over it to see me,
and I look very small on the other side.When I’msitting, I can barely see over the top of it.


I walk toward the break room, past nine square cubicles, all tan and otherwise colorless. Even the carpet is tan.On my left are the real offices with walls.


Nicole, inside her cubicle, sees me. “What happened to you?”


We’ve been good friends ever since I started working here, ten years ago. She’s African American, two years younger than I am. She has that kind of expression I wish I could wear. Her eyebrows slant upward toward each other, like a bridge that’s opening to let...

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.

Verlag
PRH Christian Publishing
Erscheinungsdatum
2009
Sprache
Englisch
ISBN 10 
0307444988
ISBN 13 
9780307444981
Einband
Taschenbuch
Anzahl der Seiten
320
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
gpsr@libri.de
gpsr@libri.de

Friedensallee 273
Hamburg
22763
Deutschland