The Reavers - Hardcover

Fraser, George MacDonald

 
9780307268105: The Reavers
Hardcover
ISBN 10: 0307268101 ISBN 13: 9780307268105
Verlag: Alfred a Knopf Inc, 2008

Inhaltsangabe

Rescued from highway robbery by the dashing Bonny Gilderoy, feisty Lady Godiva Dacre and her pretty companion, Mistress Kylie Delishe, are reunited with the charming but disreputable rescuer as they deal with the enigmatic Archie Noble, secret identities, and a coup threatening the Scottish throne, in a zany adventure set in seventeenth-century Scotland. 25,000 first printing.

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Über die Autorin bzw. den Autor

George MacDonald Fraser was born in England and schooled in Scotland, served in a Highland regiment in India, Africa and the Middle East, and died on the Isle of Man in 2008. In addition to twelve volumes of the Flashman Papers and several other novels, Fraser wrote screenplays, most notably for Richard Lester’s The Three Musketeers and the James Bond film Octopussy.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

It was a dark and stormy night in Elizabethan England, a night of driving rain and howling wind, God save the mark! when even the stately oaks bowed their great heads and giant ash trees clawed with spidery fingers at the tempest, duck ponds and horse-troughs were lashed into foam, chimbley pots toppled on the heads of honest citizens, staring owls clung to their perches with difficulty, and broom-riding witches circled crazily over blasted heaths, stacked and waiting in vain for clearance to land, Steeple Bumpstead was whirled away leaving a gaping hole in the middle of Essex, cows and domestic animals were overturned, slates and washing flew every which way, and stout constables, their lanthorns awash, kept out of the way of sturdy beggars and thanked God they were rid of a knave, leaded casements rattled in stately Tudor homes, causing the noble inhabitants to give thanks for roaring fires and bumpers of mulled posset what time they brooded darkly about sunspots, global warming, and the false forecasts of Master Michael Fishe, he o’ the isobars, who had predicted only light airs gentle as zephyrs blowing below the violets, would you believe it, while out yonder, in lonely hamlet and disintegrating hovel, the peasantry scratched their fleas and gnawed lumps of turnip and blamed it on the Almighty (poor churls, what did they know of warm fronts and depressions o’er Iceland?) or on the hag next door, her wi’ the Evil Eye and black familiar Grimalkin and devilish spells, curse her, and wagged their unkempt heads as haystacks and livestock crashed through their thatches, and asked each other in fearful whispers whether such raging fury of the elements portended the end of the world, or the Second Coming, or another bloody wet week, and agreed that it was alle happenynge, gossip, and where would it end?

Well, that takes care of the weather, and before meteorologists start hunting through their almanacks for the date of this monumental tempest, we shall tell them that it befell on a certain February 2—but make no mention of the year, save that it was sometime between the foundation of Kiev University and the discovery of Spitzbergen, and they can make what they will of that, my masters. Why such reticence? Because the moment a romantic story-teller starts committing himself to actual years, and similar pretensions to strict historical fact, his character is gone, being at the mercy of nit-picking critics who will take gloating delight in pointing out (for example) that Attila the Hun couldn’t possibly have studied Monteverdi’s second madrigal book, because it hadn’t been published in his day, see? Nor were pretzels available in the ’45 Rebellion. Out upon them, pedants.

Another reason is that many of the principal characters in our little moral social fantasy wouldn’t have known what year it was anyway, they being carefree primitives chiefly concerned with sheer survival, clobbering their neighbours, armed robbery, animal (other people’s animals) husbandry, protection racketeering, arson, kidnapping, irregular warfare, and general mischief, all of which, being natural poets, they described as “shifting for a living.” Now and then they pondered about which religion they ought to belong to, inevitably deciding that on the whole they’d let the hereafter take care of itself, thus freeing themselves for any amount of boozing, guzzling, dicing, hunting, racing, and swiving, this last being a popular pastime of the period, and still carried on today under a variety of names.

Indeed, they were a stark and ignorant lot, and if you’d asked them what day it was, it wouldn’t have occurred to them to reply “February the second, good neighbour”; they would more probably have responded with “Candlemass, ye iggerant booger,” because that is how they talked, and they were used to reckoning by their old Christian festivals in that happy, far-off time when there were no desk diaries or wall-planners (though even then the precocious Flemish schoolboy, P. P. Rubens, may well have been making furtive sketches of sporty nudes in his exercise books, in anticipation of the Playboy and Pirelli calendars).

Not that everyone was backward and unlettered in Good Queen Bess’s day, mind you. Sir John Harington, for one, was a man of much learning and science, but since at the time our story opens he had just installed the world’s first flush toilets in Her Majesty’s palace of Richmond, and the royal apartments were ankle-deep in water, with little Tudor plumbers going hairless, hammering pipes and crying “Good lack!” and “Where’s the stopcock, missus?,” he had more to do than worry about what year it was. He plays no part in our tale, by the way, but has been introduced merely to provide a little period colour, like the scenes and characters in the next couple of pages. Irrelevant they may be, but they are familiar and therefore may be useful in evoking the spirit of the Elizabethan Age and letting the audience know what is going on behind the scenes of our tale.

So . . . on that tempestuous night of February 2, 15––, when Merrie Englande was being sore buffeted by storm, and the plumbers were warning a distraught Sir John that he was flying in the face of nature and the union wouldn’t let them mop up . . .

In the Mermaid smoker, two playwrights were engaged in a game of envious one-upmanship, with Marlowe snidely advising his rival to get out of drama and into poetry (“because your Saturday-morning serials are a real dead end, I mean, three parts of Henry VI, for God’s sake, people are beginning to ask what next, Kemp and Somers Meet Henry VI?”) and Shakespeare was countering with back-handed compliments about Dr. Faustus (“loved the costumes, Chris”) while wondering if he dared hi-jack the character of the grizzled old fatso at the next table, who was being extremely coarse and funny, and didn’t look like the kind who would sue . . .

and at Richmond, Gloriana herself was standing for her portrait to Marcus Gheeraerts the Younger, in a raging temper and a tent-like gown of cloth of gold with enormous winged sleeves which she was convinced would make her look like a vulture about to take flight,* wherefore she would crop his ears, by God, and that went for that knock-kneed rascal Harington, too, him and his gang of splashing tatterdemalions wi’ their honeyed promises and leave it to us, your grace, shalt have no need o’ chamber-pots hereafter, forsooth! And that reminded her, that pack of upstarts in her Parliament needed instruction “not to speak every one what he listeth—your privilege is Aye or Noe.” And it had better be Aye, or there would be a few by-elections pending . . .

while in his cabinet her minister, Lord Burleigh, was wrapping cold towels round his head as he struggled to make sense of a list of “those malefactoures of the name of Graham who doo infeste oure Skottische border,” and finding it no easier because his agents’ reports spelled the name variously Graeme, Grime, Grim, Gremme, Groom, and even Greene, godamercy, and wishing he had a computer . . .

a convenience which had not yet been invented, although had Burleigh but known it, the next best thing was in the office across the way, functioning smoothly between the ears of Sir Francis Walsingham, the original “M” who ran Elizabeth’s espionage and dirty tricks operations, and was so secretive that if he wanted a new feather for his hat, he would buy three separate pieces at three different shops and sew them together in the dark. It cost him a fortune in sticking-plaster, and his bedraggled headgear cracked up the mocking gallants in Paul’s...

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Verlag
Alfred a Knopf Inc
Erscheinungsdatum
2008
Sprache
Englisch
ISBN 10 
0307268101
ISBN 13 
9780307268105
Einband
Gebundene Ausgabe
Anzahl der Seiten
268
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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