A pioneering artist continues his visionary inquiry into hyperspace
In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism, and that Minkowski had four-dimensional projective geometry in mind when he structured special relativity. The discussion is brought to the present with an exposition of the projection model in the most creative ideas about space in contemporary mathematics such as twisters, quasicrystals, and quantum topology. Robbin clarifies these esoteric concepts with understandable drawings and diagrams. Robbin proposes that the powerful role of projective geometry in the development of current mathematical ideas has been long overlooked and that our attachment to the slicing model is essentially a conceptual block that hinders progress in understanding contemporary models of spacetime. He offers a fascinating review of how projective ideas are the source of some of today's most exciting developments in art, math, physics, and computer visualization.Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Tony Robbin has had more than twenty-five solo exhibitions of his paintings and sculpture since his debut at the Whitney Museum of American Art in 1974. He is a pioneer in the computer visualization of four-dimensional geometry and the author of Engineering a New Architecture, published by Yale University Press.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Acadia Art & Rare Books. Est. 1931, Toronto, ON, Kanada
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Hardcover with complete Dj. Illustrated in color and B&W. Slightly soiled Dj. Clean and unmarked inside. Small 4to. Artikel-Nr. 032967
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9780300110395_new
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Investigates different models of the fourth dimension and how these are applied in art and physics. The author explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Num Pages: 160 pages, 95 b&w illustrations + 8 colour illustrations. BIC Classification: ABA; PBM. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 277 x 201 x 15. Weight in Grams: 652. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780300110395
Anzahl: Mehr als 20 verfügbar
Anbieter: moluna, Greven, Deutschland
Gebunden. Zustand: New. Investigates different models of the fourth dimension and how these are applied in art and physics. The author explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models. Artikel-Nr. 594503884
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - A pioneering artist continues his visionary inquiry into hyperspace. Artikel-Nr. 9780300110395
Anzahl: 1 verfügbar