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Primitivism, Cubism, Abstraction: The Early Twentieth Century: Book 2 (Open University: Modern Art - Practices & Debates) - Softcover
Inhaltsangabe
HARRISON, C. / F. FRASCINA / G. PERRY: PRIMITIVISM, CUBISM, ABSTRACTION. THE EARLY TWENTIETH CENTURY. NEW HAVEN, CT, 1993, v 270 p. laminas.Encuadernacion original. Nuevo.
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Reseña del editor
This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.
Biografía del autor
Francis Frascina and Gill Perry are Lecturers in Art History, Nigel Blake is Lecturer in Educational Technology, and Charles Harrison is Staff Tutor and Reader in Art History at the Open University. Briony Fer and Tamar Garb are Lecturers in Art History at University College, London University.
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- VerlagYale University Press
- Erscheinungsdatum1993
- ISBN 10 0300055161
- ISBN 13 9780300055160
- EinbandTapa blanda
- Auflage1
- Anzahl der Seiten276
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Primitivism, Cubism, Abstraction Bk. 2 : The Early Twentieth Century
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Primitivism, Cubism, Abstraction â" The Early Twentieth Century: Book 2 (Open University: Modern Art - Practices & Debates)
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Primitivism, Cubism, Abstraction: The Early Twentieth Century (Open University: Modern Art - Practices & Debates)
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Yale University Press 01/04/1993, 1993
ISBN 10: 0300055161
ISBN 13: 9780300055160
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Primitivism, Cubism, Abstraction â" The Early Twentieth Century: Book 2 (Open University: Modern Art - Practices & Debates)
Verlag:
Yale University Press, United States, 1993
ISBN 10: 0300055161
ISBN 13: 9780300055160
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Paperback. Zustand: Very Good. This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001272356
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Primitivism, Cubism, Abstraction: The Early Twentieth Century
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Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Artikel-Nr. 9374380
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Primitivism, Cubism, Abstraction : The Early Twentieth Century. (Modern Art : Practices and Debates)
Verlag:
New Haven, London : Yale University Press, 1993
ISBN 10: 0300055161
ISBN 13: 9780300055160
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broschiert. Zustand: Wie neu. 270 Seiten : Ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Einband, kleine Bleistiftnotiz auf Titelblatt, Seiten am Schnitt zart nachgedunkelt Sprache: Englisch Gewicht in Gramm: 830. Artikel-Nr. 52297
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