This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."-Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."-Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art."-American Historical Review
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This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic, art tightens its chronology, and discusses its implications for the contemporary art of the Muslim world.
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Artikel-Nr. 00104789018
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0300040466I5N00
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0300040466I3N10
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0300040466I5N00
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0300040466I3N00
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Anbieter: Windows Booksellers, Eugene, OR, USA
Paperback. Very good. 232 pages, plus black and white photograph illustrations pp. Artikel-Nr. 725124
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR007087968
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Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes Königreich
Soft cover. Zustand: New. 2nd Edition. xix, 232 pages : illustrations ; 26 cm. Revised and Enlarged Edition. Summary:This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: "Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples."--Art Bulletin "A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty."-Times Literary Supplement "Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art.". Artikel-Nr. BGISL156
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Anbieter: Librairie l'Art et l'Affiche, Nice, Frankreich
Couverture souple. Zustand: Très bon. 2ème Édition, Édition illustrée. ** France : Par défaut Livraison STANDARD en Relais Colis / PRIORITAIRE : Livraison à domicile ** Yale University Press, New Haven - London, 1987. 2d revised and enlarged edition. 4to, 232 p. + plates with 131 b/w illustrations. Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. This classic work on the nature of early Islamic art has been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. A very good copy. // Yale University Press, 1987. 2e éd° révisée et augmentée. In-4 broché (18,2 x 24,5 cm), 232 pp + pl. avec 131 ill. en n&b. Grabar examine les possibles ramifications des influences sociologiques, économiques, historiques, psychologiques, écologiques et archéologiques sur l'art de l'Islam. Cette oeuvre classique sur la nature de l'art islamique primitif est mise à jour afin de prendre en compte le matériel récemment découvert. Dans un nouveau chapitre, Oleg Grabar développe des modèles alternatifs sur la formation de l'art islamique, affine sa chronologie et discute de ses implications dans l'art contemporain du monde musulman. Ex. en très bon état. - ISBN 13: 9780300040463 - Weight / Poids livre 710 g, ép. 22 mm. Livre. Artikel-Nr. BAT1317
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9780300040463_new
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