The Translation of the Bones: From the Winner of the Orange Award for New Writers 2009 - Hardcover

If Francesca Kay's second novel were a piece of music, it would be a requiem, finding the poetry, perhaps even the glory, in loss and despair. Which is not to say that her novel is depressing or gloomy - far from it. In its depiction of a community grappling with the pain of what it means to be human, it is a novel which manages to be both poignant and uplifting...as lyrical as Kay's debut, An Equal Stillness...you don't have to be religious to be moved by Kay's elegantly calibrated writing. (Lucy Beresford THE SUNDAY TELEGRAPH)

Rich in the same verbal artistry and emotional finesse as her debut, The Translation of the Bones does not disappoint...With its finely worked tapestry of voices and viewpoints, its keen-eyed pleasure in the contrasts of inner-urban life, its lyrical excursions into memory and yearning, The Translation of the Bones sharpens the reader's mind - and stretches its sympathies - rather than drenching it in mystical mawkishness. Both Spark and Greene would surely say "amen" to that. (Boyd Tonkin THE INDEPENDENT)

unfailingly gripping, filled with the essential ingredients - tension and emotion. (Patricia Duncker LITERARY REVIEW)

The Translation of the Bones, Francesca Kay's second novel, is a well-tempered exploration of the haphazard, the religious and the mad...in beautifully musical sentences with carefully judged rhythms (Philip Womack THE DAILY TELEGRAPH)

You do not need to share the beliefs of Kay's characters to be deeply affected by their stories...skillfully constructed and beautifully written...as much concerned with common humanity as it is with individual faith. (Peter Parker SUNDAY TIMES)

In this novel about the people and things we keep locked away we encounter those locked in their own worlds, those locked up and the feelings we hide inside, too fearful to show. Francesca Kay is the author of the stunningly beautiful debut An Equal Stillness and this second novel is tinged with the same bittersweet melancholy that pervaded the first...The writing is intense and exquisite (Caroline Jowett DAILY EXPRESS)

Kay's writing is rich and luscious without being overblown, conjuring images of ancient rituals, "feast days and old beliefs, flowers, magic, miracles and spells". Fildema's past is depicted with an intriguing tenderness, as in the image of her and her lost lover "shaking like two birds tumbled in a storm" after a secret coupling. By contrast , Fidelma's descent int o a life of poverty and single motherhood is portrayed starkly - "jumble sales and council offices and tricks in the backs of cars for cash". By alternating between vivid often religious imagery and simple, economical language, Kay maintains the momentum in a story that is more often about the characters' inner worlds than their actions or experiences...elegantly written (Catherine Scott TLS)

though Kay's novel is emotional, it's not sentimental and it never lingers on the spot. This combination of feeling and structural restraint seems rather new (FINANCIAL TIMES)

Mary-Margaret is witness to a miracle in her local church, but shocking revelations shake her community to the core. Absorbing read. (WOMAN'S OWN)

Kay's challenging but very readable novel invites the reader to look behind the doors of the church, posing difficult questions about the value of religion as a mandate for living. (WE LOVE THIS BOOK)