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Buchbeschreibung Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. 47034429-6
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Buchbeschreibung Paperback. Zustand: Very good. Paperback. 263pp+ index. Spine sunned, else very good in publisher's wraps. Artikel-Nr. 61186
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Buchbeschreibung Zustand: Gut. (Second Printing). VIII; 263 Seiten; s/w-Illustrationen; 23 cm; kart. Gutes Exemplar; der farb. illustr. Einband stw. minimal berieben. - Englisch. - Cynthia Lawrence is Professor of Art History at Temple University. . / This anthology reflects a larger impulse to recover women's involvement in the creation of an aesthetic culture from the late medieval through the early modern periods. By asking how the perspectives and experiences of female patrons contributed to the invention of particular styles or iconographies, or how they shaped taste, or what kind of impact they had on demand, these twelve original essays introduce significant new information about specific women patrons while raising theoretical issues for patronage studies more generally. Contributors are Carla Lord, Alexandra Carpino, Clifford Brown, Carolyn Smyth, Sheila ffolliott, Alice T. Friedman, Geraldine A. Johnson, Marilyn Dunn, Kathleen Szpila, Cynthia Lawrence, Magdalena Kasman, Elena Ciletti, and Nadia Tscherny. . / "[P]resents important contributions in two growing areas in art historical scholarship: the history of the involvement of women with the arts, and the history of patronage and collecting. . The volume not only underscores the highly respected status of women patrons in the art world, but also provides insight into critical subjects such as new home designs, the collecting of antiquities, the creation of memorial monuments, and the amassing and care of important collections in which women played a recognized, leading, and defining role." - Sixteenth-Century Journal (Verlagstext) // INHALT : Acknowledgments - INTRODUCTION Cynthia Lawrence - JEANNE D'EVREUX AS A FOUNDER OF CHAPELS - Patronage and Public Piety Carla Lord - MARGARET OF AUSTRIA'S FUNERARY COMPLEX AT BROU Conjugal Love, Political Ambition, or Personal Glory? - Alexandra Carpino - A FERRARESE LADY AND A MANTUAN MARCHESA The Art and Antiquities Collections of Isabella d'Este Gonzaga (1474-1539) Clifford M. Brown - AN INSTANCE OF FEMININE PATRONAGE IN THE MEDICI COURT OF SIXTEENTH-CENTURY FLORENCE - The Chapel of Eleonora da' Toledo in the Palazzo Vecchio - Carolyn Smyth - THE IDEAL QUEENLY PATRON OF THE RENAISSANCE - Catherine de' Medici Defining Herself or Defined by Others? - Sheila ffolliott - WIFE IN THE ENGLISH COUNTRY HOUSE - Gender and the Meaning of Style in Early Modern England - Alice T. Friedman - IMAGINING IMAGES OF POWERFUL WOMEN - Maria de' Medici's Patronage of Art and Architecture - Geraldine A. Johnson - SPIRITUAL PHILANTHROPISTS - Women as Convent Patrons in Seicento Rome - Marilyn R. Dunn - AN EIGHTEENTH-CENTURY ENGLISH ARTEMISIA - Sarah Churchill and the Invention of the Blenheim Memorials - Kathleen Szpila - JEANNE-BAPTISTE D'ALBERT DE LUYNES, COMTESSE DE VERRUE (1670-1736) An Art Collector in Eighteenth-Century Paris - Cynthia Lawrence and Magdalena Kasman - THE EXTINCTION AND SURVIVAL OF THE MEDICI - Anna Maria Luisa de' Medici and the Family Pact of 1737 - Elena Ciletti - AN UN-MARRIED WOMAN - Mary Edwards, William Hogarth, and a Case of Eighteenth-Century British Patronage Nadia Tscherny - Selected Bibliography - List of Contributors. ISBN 0271019697 Sprache: Englisch Gewicht in Gramm: 650. Artikel-Nr. 1224244
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