The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language.
Classical architecture is a visual "language" and like any other language has its own grammatical rules. Classical buildings as widely spaced in time as a Roman temple, an Italian Renaissance palace and a Regency house all show an awareness of these rules even if they vary them, break them or poetically contradict them. Sir Christopher Wren described them as the "Latin" of architecture and the analogy is almost exact. There is the difference, however, that whereas the learning of Latin is a slow and difficult business, the language of classical architecture is relatively simple. It is still, to a great extent, the mode of expression of our urban surroundings, since classical architecture was the common language of the western world till comparatively recent times. Anybody to whom architecture makes a strong appeal has probably already discovered something of its grammar for himself.
In this book, the author's purpose is to set out as simply and vividly as possible the exact grammatical workings of this architectural language. He is less concerned with its development in Greece and Rome than with its expansion and use in the centuries since the Renaissance. He explains the vigorous discipline of "the orders" and the scope of "rustication"; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the "modern" architecture of today. The book is intended for anybody who cares for architecture but more specifically for students beginning a course in the history of architecture, to whom a guide to the classical rules will be an essential companion.
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Soft cover. Zustand: Fine. 56 pp. and 63 plates. A fresh 1995 copy of this delightful introduction to the Classical orders and the influence they have had throughout history. A comprehensive bibliography is located on pp. 53 to 56, including Vitruvius to start in the late first century B.C, through Alberti, Palladio, Vignola and Scamozzi, then to the French and German authors of the 17th and 18th centuries. He finishes with modern authors on the subject, among them D.S. Robertson as well as his own work on architecture in Britain. You can go a long way starting with this little book. Artikel-Nr. ABE-14392209874
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