Postscript by Vincent Scully
Based on notebooks composed since 1971, Aldo Rossi's memoir intermingles his architectural projects, including discussion of the major literary and artistic influences on his work, with his personal history. His ruminations range from his obsession with theater to his concept of architecture as ritual. The illustrations-photographs, evocative images, as well as a set of drawings of Rossi's major architectural projects prepared particularly for this publicationwere personally selected by the author to augment the text.
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" As nostalgia has swept the architectural community in recent years, one of the most Proustian design sensibilities to emerge has been that of Italian architect Aldo Rossi. The enfant terrible of Italy's 1960s Tendenza group, which fulminated against the modern movement, Rossi published influential polemics and kept an equally eloquent personal record in the form of notebooks, which MIT has published as the handsome "A Scientific Autobiography,.".. His own reminiscences -- convents and castles, the emotional pull of holy statuary, Melville's dramatics, an adolescent's fear of death, a young artist's ways with life -- fill his lyrical, erudite notebooks." -- "Portfolio" & quot; As nostalgia has swept the architectural community in recent years, one of the most Proustian design sensibilities to emerge has been that of Italian architect Aldo Rossi. The enfant terrible of Italy's 1960s Tendenza group, which fulminated against the modern movement, Rossi published influential polemics and kept an equally eloquent personal record in the form of notebooks, which MIT has published as the handsome A Scientific Autobiography .... His own reminiscences -- convents and castles, the emotional pull of holy statuary, Melville's dramatics, an adolescent's fear of death, a young artist's ways with life -- fill his lyrical, erudite notebooks.& quot; -- Portfolio "As nostalgia has swept the architectural community in recent years, one of the most Proustian design sensibilities to emerge has been that of Italian architect Aldo Rossi. The enfant terrible of Italy's 1960s Tendenza group, which fulminated against the modern movement, Rossi published influential polemics and kept an equally eloquent personal record in the form of notebooks, which MIT has published as the handsome "A Scientific Autobiography".... His own reminiscences--convents and castles, the emotional pull of holy statuary, Melville's dramatics, an adolescent's fear of death, a young artist's ways with life--fill his lyrical, erudite notebooks."--"Portfolio"
Postscript by Vincent ScullyBased on notebooks composed since 1971, Aldo Rossi's memoir intermingles his architectural projects, including discussion of the major literary and artistic influences on his work, with his personal history. His ruminations range from his obsession with theater to his concept of architecture as ritual. The illustrations--photographs, evocative images, as well as a set of drawings of Rossi's major architectural projects prepared particularly for this publication--were personally selected by the author to augment the text.
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