Essays charting the diverse works of renowned conceptual artist Dan Graham.
The internationally renowned artist Dan Graham is widely acknowledged as one of the leading members of the 1960s conceptual art movement. However, his subsequent work in photography, performance, film, video, and the fusion of art and architecture, though well known in Europe and Japan, is less well known in English-speaking countries.
In Rock My Religion (MIT Press, 1993), Graham explored mainly the work of other artists. In this collection, he articulates the rationale behind his own art. The broadly accessible essays, which include his most canonical texts, are organized both thematically and chronologically. They chart his career from conceptual art for magazine pages of the 1960s, to work integrating video, television, architecture, film, and performance of the 1970s, to his pavilion sculptures of the 1980s and 1990s. The book also features an essay by Jeff Wall and interviews with Graham that address the art historical references and theoretical principles underlying his work.
Published in association with the Marian Goodman Gallery, New York.
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Dan Graham's artwork has been exhibited in museums and galleries around the world. His writings have appeared in Artforum, Arts, and numerous other magazines, books, and monographs.
Alexander Alberro is Virginia Bloedel Wright Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity and the coeditor of Conceptual Art: A Critical Anthology, both published by The MIT Press.
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780262571302. Artikel-Nr. 5967935
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Anbieter: Springhead Books, Rochester, Vereinigtes Königreich
Soft cover. Zustand: Very Good. In this collection Graham explores the rationale behind his own art. The essays are organized thematically and chronologically, they chart his career from conceptual art for magazine pages of the 1960s, to his pavilion sculptures of the 1980s-1990s. xx, 198 pages : illustrations ; 23 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Artikel-Nr. 018573
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