Verwandte Artikel zu New Realisms: 1957-1962: Object Strategies Between...

New Realisms: 1957-1962: Object Strategies Between Readymade and Spectacle (The MIT Press) - Softcover

 
9780262515221: New Realisms: 1957-1962: Object Strategies Between Readymade and Spectacle (The MIT Press)
Alle Exemplare der Ausgabe mit dieser ISBN anzeigen:
 
 
28 cm. [304] p. : ill. (chiefly col.). Encuadernación en tapa blanda de editorial ilustrada. Idioma Inglés. edited by Julia Robinson. [Object strategies between readymade and spectacle. ]. Catalog accompanying an exhibition opening at the Museo Nacional Centro de Arte Reina SofIa in Madrid in the spring of 2010. Includes bibliographical references. Contents Before attitudes became form : new realisms: 1957-1962 / Julia Robinson -- Words, actions, inactions and things : reality between la resistance and l'insoumission / Hannah Feldman -- Close encounters : on Pierre Restany and nouveau realisme / Agnes Berecz -- La vitrine, l'eponge: the Ecole de Nice and the "hygiene of vision" / Emmelyn Butterfield-Rosen -- Formalism and historicity / Benjamin H. D. Buchloh -- Catalog of works -- 1957-1962. Major events and centers of activity / compiled by Billy KluÌ?ver, Julie Martin, and Hedi Sorger -- On the theme of the exhibition / Sidney Janis -- List of works exhibited .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 9780262515221 (pbk.); 0262515229 (pbk.)

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Reseña del editor:
Works by a pre-Pop, post-abstract expressionist generation of artists who rejected painterly expression and embraced the object. As the 1950s became the 1960s, a new generation of artists around the globe rejected direct painterly expression and returned decisively to the object. Moving away from abstract expressionism and toward the sensibility that would become Pop, these artists-among them Raymond Hains, Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, and Robert Rauschenberg-effectively established a new set of artistic paradigms that would influence the decade ahead. New Realisms: 1957-1962 maps this international field of artistic practice, showcasing more than 200 works by artists of the period. The title echoes the name of the French movement of the 1960s "Nouveau Realisme." Indeed, the work of the Nouveaux Realistes group anchors the book (and the exhibition it accompanies), but at the same time, New Realisms represents a wider range of related instincts, diversely expressed. The emphasis is on a constellation of activities in play before the new critical terms and categories of Pop Art were set in stone. The book views the emerging artistic scene from the other end of the telescope, as it were: from a European perspective rather than from that of American Pop Art. New Realisms is emphatically hybrid, encompassing the initiatives of the French group as well as trajectories in New York that stretched from painting to "Environment" to Happening. Artists include: Arman, George Brecht, Cesar, Christo, Gerard Deschamps, Jim Dine, Francois Dufrene, Oyvind Fahlstrom, Raymond Hains, Allan Kaprow, Yves Klein, Yayoi Kusama, Roy Lichtenstein, Piero Manzoni, Claes Oldenburg, Giuseppe Pinot Gallizio, Robert Rauschenberg, Martial Raysse, Mimmo Rotella, Niki de Saint Phalle, Daniel Spoerri, Jean Tinguely, Robert Watts, and Robert Whitman. Essays by: Julia Robinson, Hannah Feldman, Agnes Berecz, Emmelyn Butterfield-Rosen, Benjamin H. D. Buchloh. Exhibition: Museo Nacional Centro de Arte Reina Sofia, Madrid; June 19th-October 4th, 2010. Distributed by the MIT Press for the Reina Sofia Museum
Biografía del autor:
Julia Robinson is Assistant Professor in the Department of Art History at New York University. She was the curator of the exhibition "John Cage & Experimental Art: The Anarchy of Silence" and editor of the accompanying catalog. She is also the editor of New Realisms: 1957-1962: Object Strategies Between Readymade and Spectacle (Museo Reina Sofia/MIT Press, 2010) and was the curator of the exhibition it accompanied.

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.

  • VerlagMIT PR
  • Erscheinungsdatum2010
  • ISBN 10 0262515229
  • ISBN 13 9780262515221
  • EinbandTapa blanda
  • Anzahl der Seiten294
  • HerausgeberRobinson Julia
Gebraucht kaufen
Zustand: Befriedigend
This is an ex-library book and... Mehr zu diesem Angebot erfahren

Versand: EUR 13,95
Von Vereinigtes Königreich nach USA

Versandziele, Kosten & Dauer

In den Warenkorb

Beste Suchergebnisse beim ZVAB

Beispielbild für diese ISBN

Robinson, J. (ed)
Verlag: MIT Press (2010)
ISBN 10: 0262515229 ISBN 13: 9780262515221
Gebraucht Softcover Anzahl: 1
Anbieter:
Anybook.com
(Lincoln, Vereinigtes Königreich)
Bewertung

Buchbeschreibung Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:9780262515221. Artikel-Nr. 9121748

Weitere Informationen zu diesem Verkäufer | Verkäufer kontaktieren

Gebraucht kaufen
EUR 10,47
Währung umrechnen

In den Warenkorb

Versand: EUR 13,95
Von Vereinigtes Königreich nach USA
Versandziele, Kosten & Dauer