The most comprehensive collection on Lichtenstein, from the earliest reviews to recent reassessments, including several hard-to-find and previously unpublished pieces.
Roy Lichtenstein's popular appeal—and his influence on pop culture, seen in everything from greeting cards to sitcoms—at times overshadows his importance to contemporary art. Yet, examined on its own terms, Lichtenstein's comics-inspired, deadpan artwork remains as truly unsettling to art-world orthodoxies today as when it first gained wide attention in the early 1960s. Lichtenstein (1923-1997), a central figure in Pop, consistently savaged the rules of painting—while remaining committed to the most traditional procedures and goals of the medium. (He once said, “The things that I have apparently parodied I actually admire and I really don't know what the implication of that is.”) This book offers the most comprehensive collection of writings on Lichtenstein's work to appear in thirty-five years, with early reviews, artist interviews and statements (some never before published), and recent reassessments. The book includes Donald Judd's reviews of Lichtenstein's three solo Pop shows in the early 1960s, an essay on the artist's 1969 Guggenheim retrospective, interviews that touch on topics ranging from the New York art world to Monet and Matisse, the transcript of a 1995 slide presentation in which Lichtenstein surveyed three decades of his work, and an in-depth study of Lichtenstein's first Pop painting, Look Mickey (1961). The texts explore Lichtenstein's career across the boundaries of medium and period, excavating early critical discussions and surveying more recent reexaminations of his artistic practice. The collection will be an indispensable resource for those interested in Lichtenstein, Pop Art, and American culture of the 1960s.
Contributors
Graham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kozloff, Jean-Claude Lebensztejn, Roy Lichtenstein, Michael Lobel
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Graham Bader is Mellon Assistant Professor of Art History at Rice University. He is the editor of the October Files volume Roy Lichtenstein (MIT Press, 2009).
Yve-Alain Bois studied at the Ecole des Hautes Etudes under the guidance of Roland Barthes and Hubert Damisch. A founder of the French journal Macula, Bois is currently a professor in the School of Historical Studies at the Institute for Advanced Study, Princeton, NJ.
Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of Prosthetic Gods (MIT Press) and other books.
Graham Bader is Mellon Assistant Professor of Art History at Rice University. He is the editor of the October Files volume Roy Lichtenstein (MIT Press, 2009).
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Paperback. Zustand: Very Good. Roy Lichtenstein (October Files): Volume 7 (October Files, 7) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Artikel-Nr. 7719-9780262512312
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Zustand: New. The most comprehensive collection on Lichtenstein, from the earliest reviews to recent reassessments, including several hard-to-find and previously unpublished pieces. Editor(s): Bader, Graham. Series: October Files. Num Pages: 216 pages, 43 b&w illus. BIC Classification: ACXJ1; AGB. Category: (G) General (US: Trade). Dimension: 229 x 154 x 14. Weight in Grams: 414. . 2009. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. 9780262512312
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Zustand: as new. Cambridge, MA. : The MIT Press, 2009. Paperback. x, 202 pp. illustrations ; 23 cm. (October Files, 7). - Roy Lichtenstein's popular appeal - and his influence on pop culture, seen in everything from greeting cards to sitcoms - at times overshadows his importance to contemporary art. Yet, examined on its own terms, Lichtenstein's comics-inspired, deadpan artwork remains as truly unsettling to art-world orthodoxies today as when it first gained wide attention in the early 1960s. Lichtenstein (1923-1997), a central figure in Pop, consistently savaged the rules of paintingwhile remaining committed to the most traditional procedures and goals of the medium. (He once said, "The things that I have apparently parodied I actually admire and I really don't know what the implication of that is.") This book offers the most comprehensive collection of writings on Lichtenstein's work to appear in thirty-five years, with early reviews, artist interviews and statements (some never before published), and recent reassessments Condition : as new copy. ISBN 9780262512312. Keywords : ART, Artikel-Nr. 290658
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Erste Auflage. 23 x 15 cm. 202 S. OKarton. Einband gering angestaubt, kleines Etikett (Kassencode) am hinteren Einband, sonst gutes Exemplar. October Files 7. Kartonierte Ausgabe. Text in Englisch / Text English. Enthält einige s/w Abbildungen. Artikel-Nr. 62915BB
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Softcover. Zustand: gut. 2009. Roy Lichtenstein. edited by Graham Bader. essays, interviews, and lecture transcript by Graham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kotzloff, Jean-Claude Lebensztejn, Roy Lichtenstein, and Michael Lobel. In englischer Sprache. pages. Artikel-Nr. BN660044
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