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Inhaltsangabe
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.
Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.
The essays: Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.
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Críticas
-- Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins University " You don't have to agree with all of Thierry de Duve's premises and arguments (needless to say I don't) in order to recognize that he has written a remarkable book. The essays gathered in "Kant After Duchamp" mount the most formidable case yet made for Duchamp's importance, and what makes de Duve's achievement all the more unexpected is that this is done by way of an intense engagement with the writings of Duchamp's seeming opposite, the critic Clement Greenberg. A third constant presence in these pages is Kant's "Critique of Judgement," which at once governs de Duve's understanding of Greenberg's " formalism" and is itself brilliantly reinterpreted in the light of Duchamp's readymades. De Duve has always been an independent thinker. Now he has produced an indispensable book, a brilliant and learned " archaeology" of Duchampian modernism that is also a highly original contribution to philosophical aesthetics." -- Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins University & quot; You don't have to agree with all of Thierry de Duve's premises and arguments (needless to say I don't) in order to recognize that he has written a remarkable book. The essays gathered in Kant After Duchamp mount the most formidable case yet made for Duchamp's importance, and what makes de Duve's achievement all the more unexpected is that this is done by way of an intense engagement with the writings of Duchamp's seeming opposite, the critic Clement Greenberg. A third constant presence in these pages is Kant's Critique of Judgement, which at once governs de Duve's understanding of Greenberg's & quot; formalism& quot; and is itself brilliantly reinterpreted in the light of Duchamp's readymades. De Duve has always been an independent thinker. Now he has produced an indispensable book, a brilliant and learned & quot; archaeology& quot; of Duchampian modernism that is also a highly original contribution to philosophical aesthetics.& quot; -- Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins University "You don't have to agree with all of Thierry de Duve's premises and arguments (needless to say I don't) in order to recognize that he has written a remarkable book. The essays gathered in "Kant After Duchamp" mount the most formidable case yet made for Duchamp's importance, and what makes de Duve's achievement all the more unexpected is that this is done by way of an intense engagement with the writings of Duchamp's seeming opposite, the critic Clement Greenberg. A third constant presence in these pages is Kant's "Critique of Judgement," which at once governs de Duve's understanding of Greenberg's "formalism" and is itself brilliantly reinterpreted in the light of Duchamp's readymades. De Duve has always been an independent thinker. Now he has produced an indispensable book, a brilliant and learned "archaeology" of Duchampian modernism that is also a highly original contribution to philosophical aesthetics."--Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins Unive
Reseña del editor
This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. Duchamp's alternative view of modern art is used as a perspective for a re-reading of Kant's "Critique of Judgement", revealing links between the Dadaists and mainstream modernism.
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KANT AFTER DUCHAMP
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Third printing. Softback; [xv] + 484pp, indexed, with black and white illustrations. NB: pp17 - pp48 have been bound in upside down. Previous owner's ink name to inside of front cover. Slight handling wear to covers, overall a VG copy. (Shelf 200 FOX) ISBN: 0262041510 PLEASE NOTE: Heavy BOOK (1.2kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. Artikel-Nr. 57975
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Kant After Duchamp An OCTOBER Book
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484 pp.; 23.5 x 18.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "Kant After Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Marcel Duchamp, Thierry de Duve observes, made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgement that replaced the classical "this is beautiful" with 'this is art.' De Duve employs this shift (replacing the word 'beauty' by the word 'art') in a rereading of Kant's 'Critique of Judgement' that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism." --publisher's statement. Includes index. Very Good. Discrete small rubber stamp logo inside rear endpapers, otherwise contents clean and unmarked. 3 mm. and 2.5 cm. pen marks to edge of text block. Due to size and weight additional shipping charges may be required. Artikel-Nr. 8136
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KANT AFTER DUCHAMP
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The MIT Press, Cambridge, 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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Hardcover. Zustand: Very Good-. Hardcover; 484 pages. Black cloth hardcovers with silver titles on spine. Well preserved, save water stain along bottom of covers (and jacket), causing paper from jacket to stick to the cover. Ffep prev owner pen signature. Pages white, flat, unmarked. VERY GOOD- Size: 9 x 7. Book. Artikel-Nr. 400942
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Kant After Duchamp
Anbieter: Paul Brown, Ramsgate, Vereinigtes Königreich
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First edition first impression 1996. xvi+484 pages. Illustrated. Cloth, some little shelf wear to tail edge. Very good indeed in dustjacket with a little light sunning to spine and rear cover. Ask to see our other Marcel Duchamp titles. Artikel-Nr. 31188
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Kant After Duchamp.
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Cambridge, MA & London: The MIT Press, [1996]., 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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Hardcover. Dust Jacket Included. 8vo. pp. xv, [1], 484. several illus. index. cloth. dw. First Edition. Artikel-Nr. ADntDE D36
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