Andy Warhol's daily practice of photography during the last decade of his life, examined and documented for the first time.
“A picture means I know where I was every minute. That's why I take pictures.”
—Andy Warhol
From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. Friends, boyfriends, business associates, socialites, celebrities, passers by: all captured Warhol's attention—at least for the moment he looked through the lens. In a way, Warhol's daily photography practice anticipated our current smart phone habits—our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs—Warhol's final body of work
Peggy Phelan and Richard Meyer analyze the contact sheets, never before seen, and their importance in Warhol's oeuvre. Accompanying their text and other essays are reproductions of contact sheets, photographs, and other visual material. The contact sheets present Warhol's point of view, unedited; we know where he was every minute because a photograph remembers it.
Copublished with the Cantor Arts Center
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Richard Meyer is Robert and Ruth Halperin Professor in Art History at Stanford University. He is the author of What Was Contemporary Art? (MIT Press) and other books.
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Versandziele, Kosten & DauerAnbieter: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Deutschland
1. Auflage. 31 x 25 cm. 231 S. OPappband. Stauchungen an der unteren Stoßkante, sonst sehr gutes Exemplar. Texte in Englisch. Durchgehend mit Abbildungen versehen. Sprache: englisch. Artikel-Nr. 66707BB
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Zustand: Very Good. Stanford and Cambridge: Cantor Arts Center at Stanford University and the MIT Press, 2018. First Edition. Quarto (30.5x24.5x2.5cm); 232pp, including bibliography. Contact sheets reproduced ad infinitum, with many additional background and documentary images of Warhol-istic monkey business on every page. Photographic covers on heavy pasteboard with case binding over sewn gatherings. Very faint inward curve to back board, with a touch of shelfwear along bottom edges. Binding is sound and pages unmarked. The shots we've all seen. The shots we all haven't. A certain amount of naked people. A great deal of famous people. If photographs can be both small and loud, then these photographs are small and loud. A great deal of fun, actually. Artikel-Nr. 11268
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