Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism.
Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts—the most comprehensive collection of his writings yet published—appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters—public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON'T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as "Art and Capitalism," "Childhood," "Entropy (After Smithson)," "Matter," "My Work," "Other Artists," and "Poetry," and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst.
Carl Andre's writing and its materiality—its stress on the visual and tactile qualities of language—takes its place beside his sculpture and its materiality, its revelation of "matter as matter rather than matter as symbol." Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. "I am not an idealist as an artist," says Andre. "I try to discover my visions in the conditions of the world. It's the conditions which are important."
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Carl Andre is a sculptor and poet.
James Meyer is Associate Professor of Art History at Emory University. He is the author of Minimalism: Art and Polemics in the Sixties and the editor of The AIDS Crisis is Ridiculous and Other Writings 1986-2003 by Gregg Bordowitz (MIT Press, 2004).
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Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Hardcover. First printing. 317 pages. A collection of noted artist Carl Andre's various writings. Edited and with an introduction by James Meyer. Includes numerous black and white illustrations. A fine copy in boards. No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap. Artikel-Nr. 158095
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Anbieter: Saint Georges English Bookshop, Berlin, Deutschland
Hardcover. Zustand: Very Good. Excellent used condition hardcover, printed covers; no jacket as supplied, unmarked text, light wear to extremities and corners of cardboard covers, ships from Berlin Bookshop Bxn78. Artikel-Nr. 195156839
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Anbieter: Gotcha By The Books, Brisbane, QLD, Australien
hardbound. Zustand: Very Good. b&w illustrations (illustrator). Selection of Carl Andre's writings interspersed photo illustrations of his sculptures and text pieces, covering a period from 1959-2004; edited with an introduction by James Meyer; writings on Art, Art and Capitalism, Art and Politics, Brancusi, Japan, Duchamp, Form, Hollis Frampton, Eva Hessa, Conceptualism, and more; a volume in the MIT Press Writing Art Series; black cloth spine with silver titling, printed strawboard sides; no dustwrapper (as issued); 1st Edition 1st Printing; Very Good tight clean copy. no dustwrapper. 317pp. large 8vo. Very Good. Artikel-Nr. 22911
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Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Artikel-Nr. Z1-F-025-01979
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