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Is Language a Music?: Writings on Musical Form and Signification (Musical Meaning and Interpretation) - Hardcover
Inhaltsangabe
Is Language a Music? presents broadly ranging explorations of musical reference that address how and why language cannot be the only measure of meanings. Music, the author insists, is pervaded by significations, but often their erasure is as pertinent to artistry as their construction. This volume's 15 essays in musical semiotics are grouped into sections that treat issues in structural description, present alternative views of theoretical foundations, consider the elaboration of gestural references to form musical discourse, explore some stylistic issues in 20th-century music, and examine the resistance to reference which is esteemed in the tradition of absolute music.
Musical Meaning and Interpretation-Robert S. Hatten, editor
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David Lidov is a composer whose theoretical investigations were an early and influential source of the musical semiotics movement of recent decades. He teaches at York University in Toronto.
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Is Language a Music?
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MH - Indiana University Press, 2004
ISBN 10: 0253343836
ISBN 13: 9780253343833
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Is Language a Music?: Writings on Musical Form and Signification (Musical Meaning and Interpretation)
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Is Language a Music?: Writings on Musical Form and Signification
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Is Language a Music? Writings on Musical Form and Signification
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Hardcover. Zustand: Brand New. illustrated edition. 256 pages. 9.25x6.25x1.00 inches. In Stock. Artikel-Nr. x-0253343836
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Is Language a Music?: Writings on Musical Form and Signification
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Gebunden. Zustand: New. If music is a universal language, is language a universal music?Über den AutorDavid LidovInhaltsverzeichnisForeword 1. Prelude-Is Language a Music?Part I. Structuralist Pespectives-Introd. Artikel-Nr. 594484418
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Is Language a Music? : Writings on Musical Form and Signification
Verlag:
Indiana University Press Dez 2004, 2004
ISBN 10: 0253343836
ISBN 13: 9780253343833
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Hardcover
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Buch. Zustand: Neu. Neuware - Is Language a Music presents broadly ranging explorations of musical reference that address how and why language cannot be the only measure of meanings. Music, the author insists, is pervaded by significations, but often their erasure is as pertinent to artistry as their construction. This volume's 15 essays in musical semiotics are grouped into sections that treat issues in structural description, present alternative views of theoretical foundations, consider the elaboration of gestural references to form musical discourse, explore some stylistic issues in 20th-century music, and examine the resistance to reference which is esteemed in the tradition of absolute music. Musical Meaning and Interpretation-Robert S. Hatten, editor. Artikel-Nr. 9780253343833
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