"Each of the musical works has a duet part so the teacher can accompany the student with steady rhythm, good pitch, and interpretive guidance. Fingering and trill charts are provided for flutes of up to 13 keys. The progressive and thoughtful organization of this method makes it useful to teachers of any model of transverse flute—useful even with beginning students." —The Flute Network
Jean-Louis Tulou’s 1855 method for playing the pre-Boehm wooden flute and an excellent source of early nineteenth-century French performance practices.
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JANICE DOCKENDORFF BOLANDteaches at Cornell College and Coe College. A concert artist, she specializes in the performance of eighteenth- and nineteenth-century music on period flutes. MARTHA F. CANNON is Professor Emerita of French at Coe College. She has played cello in a string quartet, in a chamber orchestra, and with the Cedar Rapids Symphony Orchestra.
JANICE DOCKENDORFF BOLANDteaches at Cornell College and Coe College. A concertartist, she specializes in the performance of eighteenth- and nineteenth-century music onperiod flutes. MARTHA F. CANNON is Professor Emerita of French at Coe College. She has played celloin a string quartet, in a chamber orchestra, and with the Cedar Rapids Symphony Orchestra.
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Anbieter: Colin Coleman Music, Stewkley, Vereinigtes Königreich
Size: Folio. x, [ii], 131pp. Spiral bound in publisher's printed wrappers. Artikel-Nr. 38282
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0253209196I4N00
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