Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.
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Rae Linda Brown was a professor at the University of Michigan and a professor and Robert and Marjorie Rawlins Chair of the Department of Music at the University of California, Irvine. She was the author of Music, Printed and Manuscript, in the James Weldon Johnson Memorial Collection of Negro Arts and Letters: An Annotated Catalog. She died in 2017. Guthrie P. Ramsey Jr. is the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania. He is the author of Race Music: Black Cultures from Bebop to Hip-Hop and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop
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Taschenbuch. Zustand: Neu. Neuware - 'Florence B. Price (1887-1953) was the first African American woman composer to achieve national recognition. She grew up in Little Rock, Arkansas, studies at the new England Conservatory, and spent her professional career in Chicago (1927-53), where her Symphony in E Minor, premiered by the Chicago Symphony Orchestra in 1933 under the direction of Frederick Stock, marks the first large-scale work by an African American woman composer (and the second work by an African American composer) to be performed by a major American orchestra. A prolific composer, she wrote more than 300 works in all genres: orchestra music (symphonies, orchestral suites, and concerti), vocal music, art songs and arrangements of spirituals, piano music (including teaching pieces), organ music, chamber music, and music for chorus. Her compositions reflect not only her cultural heritage, but also the romantic nationalist style of the period in which she was most active (beginning in the 1920s). Brown discusses Price in the context of the Harlem Renaissance and deals with issues of race, gender, and class. She draws on interviews with Price's colleagues, on music manuscripts located in major repositories of African American material and in private collections, on contemporary black newspapers and journals, on census records, and on archival materials as well as the relevant published sources. An appendix lists Price's compositions by genre'--. Artikel-Nr. 9780252085109
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