Through the hidden or lost stories of composers, scholars, patrons, performers, audiences, repertoires, venues, and specific works, this intriguing volume explores points of intersection between music and queerness in Europe and the United States in the years 1870 to 1950--a period when dramatic changes in musical expression and in the expression of individual sexual identity played similar roles in washing away the certainties of the past.
Contributors are Byron Adams, Philip Brett, Malcolm Hamrick Brown, Sophie Fuller, Mitchell Morris, Jann Pasler, Ivan Raykoff, Fiona Richards, Eva Rieger, Gillian Rodger, Sherrie Tucker, and Lloyd Whitesell.
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Sophie Fuller teaches at Trinity College of Music in London, England, and is the author of The Pandora Guide to Women Composers: Britain and the U.S., 1629-Present.
Lloyd Whitesell, an associate professor of music at McGill University, is the author of The Music of Joni Mitchell.
Sophie Fuller teaches at Trinity College of Music in London, England, and is the author of The Pandora Guide to Women Composers: Britain and the U.S., 1629-Present.
Lloyd Whitesell, an associate professor of music at McGill University, is the author of The Music of Joni Mitchell.
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Zustand: New. Exploring the relationship between queer sexuality and music in the late nineteenth and early twentieth century Editor(s): Fuller, Dr. Sophie; Whitesell, Lloyd. Num Pages: 336 pages, 20 photographs. BIC Classification: 3JH; 3JJ; AV; JFC; JFSK. Category: (P) Professional & Vocational. Dimension: 218 x 143 x 21. Weight in Grams: 474. . 2008. First Edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780252075780
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Zustand: New. Exploring the relationship between queer sexuality and music in the late nineteenth and early twentieth centuryInhaltsverzeichnisContributors are Byron Adams, Philip Brett, Malcolm Hamrick Brown, Sophie Fuller, Mitchell Morris, Jann . Artikel-Nr. 594480970
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