Exploring the structure, motives, and meanings of humor in everyday life
In Engaging Humor, Elliott Oring asks essential questions concerning humorous expression in contemporary society, examining how humor works, why it is employed, and what its messages might be. This provocative book is filled with examples of jokes and riddles that reveal humor to be a meaningful--even significant--form of expression.
Oring scrutinizes classic Jewish jokes, frontier humor, racist cartoons, blonde jokes, and Internet humor. He provides alternate ways of thinking about humorous expressions by examining their contexts--not just their contents. He also shows how the incongruity and absurdity essential to the production of laughter can serve serious communicative ends.
Engaging Humor examines the thoughts that underlie jokes, the question of racist motivation in ethnic humor, and the use of humor as a commentary on social interaction. The book also explores the relationship between humor and sentimentality and the role of humor in forging national identity. Engaging Humor demonstrates that when analyzed contextually and comparatively, humorous expressions emerge as communications that are startling, intriguing, and profound.
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Elliott Oring is a professor emeritus of anthropology at California State University, Los Angeles, and is the author of Israeli Humor, The Jokes of Sigmund Freud, and Jokes and Their Relations. He serves on the editorial board of Humor: International Journal of Humor Research.
Preface.............................................................ix1. Appropriate Incongruity Redux....................................12. The Senses of Absurd Humor.......................................133. Joke Thoughts....................................................274. The Humor of Hate................................................415. Blond Ambitions and Other Signs of the Times.....................586. Humor and the Suppression of Sentiment...........................717. The Joke as Gloss................................................858. Colonizing Humor.................................................979. Sigmund Freud's Jewish Joke Book.................................11610. The Context of Internet Humor...................................129Afterword...........................................................141Appendix............................................................147Notes...............................................................163Index...............................................................203
Humor, I have argued, depends upon the perception of an appropriate incongruity; that is, the perception of an appropriate relationship between categories that would ordinarily be regarded as incongruous. A brief example should suffice to illustrate the notion: "A man goes to see a psychiatrist. The doctor asks him, `What seems to be the problem?' The patient says, `Doc, no one believes anything I say.' The doctor replies, `You're kidding!'" To understand this joke, one must apprehend both the appropriateness and the incongruity of the doctor's response. The phrase "you're kidding" is an expression of surprise and appropriately registers the doctor's skepticism that the situation could be as severe as the patient describes. In some sense, it may even be regarded as a reflexive expression of reassurance. At the same time, "you're kidding" registers the physician's disbelief in the patient's report and seems to affirm the very proposition that the physician seems to be denying—that no one believes anything the patient says. In other words, the doctor's denial is incongruous in that it confirms the very problem about which the patient complains. Even the physician to whom the patient turns for help seems to doubt his veracity from the first moment of their encounter.
It is worthwhile to note that while the linguistic formulation of the doctor's response in this joke is critical, the joke is a conceptual and not a linguistic one. It does not depend upon a precise and unalterable linguistic formula. Had the doctor responded, "That's impossible," or "Aren't you exaggerating?" or "No way!" a joke would still be discernible that traded on the very same idea. Granted, the phrase "you're kidding" is particularly felicitous in that it is familiar, colloquial, and has a certain semantic density that requires some work to unpack. It is not, however, essential to the creation of the joke. Had the psychiatrist responded, "Well, we'd best get to the root of this problem," there would have been no joke, and if he had responded, "Well, in that case you'd best pay me in advance," the joke would have been different in that the reported untrustworthiness of the man would have been extended to the implied promise to pay for his treatment.
While the phrase appropriate incongruity is recent and my own, the concept is not. In the late eighteenth century James Beattie proposed that "Laughter arises from the view of two or more inconsistent, unsuitable, or incongruous parts or circumstances, considered as united in one complex object or assemblage." This notion, that humor depends upon the perception of an incongruity that is resolved or made sense of, has come to be known as the incongruity-resolution theory of humor. While the notion of appropriate incongruity certainly resembles incongruity-resolution theory, there are two points on which they may be distinguished. The first is that the term appropriate incongruity does not suggest that an incongruity is resolved. The incongruity remains, even though points of connection between the incongruous categories are discovered. A measure of appropriateness is recognized between the juxtaposed domains, but incongruity and appropriateness characterize a psychologically valid rather than a logically valid relation. In the joke about the psychiatrist and his patient, nothing is resolved; the doctor's expression of reassurance at the same time exacerbates the patient's problem. Both effects of the phrase remain in force. While one sense of the phrase may be secondary to the other in a temporal sense, it is not secondary in a psychological sense. The incongruity and the appropriateness are parallel constructions.
The second distinction between appropriate incongruity and incongruity-resolution theory is that incongruity-resolution theory implies a temporal order such that an incongruity is first recognized and its resolution (or the appropriateness of that incongruity) follows. Appropriate incongruity does not presume the order of recognition. An incongruity may first be registered and then followed by the sense of its appropriateness, or a seemingly appropriate relationship may be supplanted by a sense of its incongruity. I would argue that in the joke about the psychiatrist and his patient that the appropriate sense of "you're kidding" is registered before the incongruous sense. That is, the audience of the joke first perceives the phrase as an appropriate expression of the doctor's surprise and concern before recognizing that the phrase identifies the psychiatrist as yet another disbeliever.
A German joke illustrates a similar order in the perception of appropriateness and incongruity: "If one enquires from a youthful patient whether he has ever had anything to do with masturbation, the answer is sure to be, `O na, nie!'" This joke ends in an expression that means "Oh no, never." But the words in the expression when linked together make "Onanie," which is the German word for onanism (masturbation). In this case as well, the meanings of the individual words are likely to be apprehended before the meaning of the expression constructed from their concatenation. So the incongruous sense of the expression is only apprehended after a common and appropriate one.
It is necessary to point out that neither appropriate incongruity nor incongruity-resolution theory should be confused with straightforward incongruity theory. There are theorists who hold that incongruities can in themselves be humorous. This seems a difficult position to maintain in that there are numerous instances of incongruities that generate no humor. Were incongruities in themselves funny, incongruous pairings like "snake/ veil" or "tomato/carburetor" might be expected to excite laughter, and formulations like "Why did the chicken cross the road?—Because the geese were eating corn" or "What is black and white and red all over?—A palm tree" might prove hysterical.
There are occasions when such riddles may prove humorous, for they may excite laughter in children. First- and second-graders tend to make up riddles that have either realistic or nonsensical answers. That is to say, the riddles of children either describe some object (e.g., "Q: What is brown and has bumps in it? A: A fence"—because a nearby fence is painted brown and its vertical...
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