'Spare, chilling, with wild flashes of vivid colour and the tempo of a thriller, Siblings jolts us into the beating heart of a family and post-war East Germany, conjuring the political dreams and divisions that make and ultimately break both' Lisa Appignanesi
1960. The border between East and West Germany has closed.
For Elisabeth - a young painter - the GDR is her generation's chance to build a glorious, egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the Party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppression, familial loyalty, and desire. The result is this ground-breaking classic of post-war East German literature.
Translated by Lucy Jones
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Brigitte Reimann (Author)
Brigitte Reimann (1933-1973) was among East Germany's most significant writers. Like her heroines, she was spirited and outspoken, addressing issues and sensibilities otherwise repressed in the GDR. She believed passionately in socialism, yet never joined the party; stayed with her second husband, yet pursued a series of affairs. Her stated aim was to live 'thirty wild years instead of seventy well-behaved ones'. In 1960, her brother left for the West and she began writing Siblings. She died from cancer at the age of thirty-nine, a celebrated writer and cult figure.
Lucy Jones (Translator)
Lucy Lee Jones is a British translator based in Berlin. She has translated the work of Anke Stelling and Ronald M. Schernikau, among others, and was runner-up in the Schlegel-Tieck Prize in 2023 for her translation of Die Geschwister (Siblings) by Brigitte Reimann. Her own writing has appeared in SAND, Pigeon Pages NYC, LitroMag and others.
1960. The border between East and West Germany has closed.
For Elisabeth - a young painter - the GDR is her generation's chance to build an egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppress
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