Ever watch a movie, and despite great production value, fantastic action sequences, a great cast, etc, you come away thinking-I just didn't buy it. Chances are it was because you didn't care about the characters. Screenwriter's Compass presents a new way of approaching screenwriting, examining how effective screen storytelling must be grounded in the vivid imagining and presentation of character.
Screenwriter's Compass will not offer formulas to follow but instead will give you the tools needed to chart your own path to screenwriting success. It details useful ways of thinking about writing, as well as practical ideas and concepts to help you discover the unique geography of your own imagination and navigate the problems posed by the struggle to express vision, agenda, and story. You'll learn how to root your writing in motivation and voice, to create screenplays that seduce and make your reader lean forward, and, most importantly, identify with your characters.
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Guy Gallo's first produced screenplay (Under the Volcano) was directed by John Huston and released in 1984. Since then he has written over a dozen feature screenplays, with four others produced. He has over 20 years of teaching experience at the Columbia University's School of the Arts, New York University, and Barnard College, his students including James Mangold (Girl Interrupted, 3:10 to Yuma, Walk the Line), and Greg Mottola (Superbad, Adventureland).
Ever watch a movie, and despite great production value, fantastic action sequences, a great cast, etc, you come away thinking I just didn't buy it. Chances are it was because you didn't care about the characters. Screenwriter's Compass presents a new way of approaching screenwriting, examining how effective screen storytelling must be grounded in the vivid imagining and presentation of character.
Screenwriter's Compass will not offer formulas to follow but instead will give you the tools needed to chart your own path to screenwriting success. It details useful ways of thinking about writing, as well as practical ideas and concepts to help you discover the unique geography of your own imagination and navigate the problems posed by the struggle to express vision, agenda, and story. You'll learn how to root your writing in motivation and voice, to create screenplays that seduce and make your reader lean forward, and, most importantly, identify with your characters.
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0240818075I4N10
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 1st edition. 214 pages. 9.00x6.00x0.50 inches. In Stock. Artikel-Nr. x-0240818075
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9780240818078_new
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2012. 1st Edition. Paperback. Presents a new way of approaching screenwriting, examining how effective screen storytelling must be grounded in the vivid imagining and presentation of character. This title shows you how to root your writing in motivation and voice, to create screenplays that seduce and make your reader lean forward, and, identify with your characters. Num Pages: 214 pages, 10 black & white line drawings. BIC Classification: CBVS. Category: (P) Professional & Vocational. Dimension: 228 x 155 x 10. Weight in Grams: 354. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9780240818078
Anzahl: Mehr als 20 verfügbar