A great movie's first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique.
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Annette Insdorf is a professor in the Film Program of Columbia University’s School of the Arts and host of the Reel Pieces series at Manhattan’s 92nd Street Y. Her books include Francois Truffaut (1979), Indelible Shadows: Film and the Holocaust (1983), Double Lives, Second Chances: The Cinema of Krzysztof Kieslowski (1999), Philip Kaufman (2012), and Intimations: The Cinema of Wojciech Has (2017).
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