With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011) - both shot digitally - have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
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Nicholas Rombes is professor of English at the University of Detroit Mercy. He is the author of several books on cinema and punk, including The Ramones (2005), and editor of New Punk Cinema (2005). He also directed the feature-length lo-fi paranoid thriller The Removals (2016).
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. revised edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 57028539-20
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 2nd revised edition. 272 pages. 9.00x6.00x0.75 inches. In Stock. Artikel-Nr. x-0231167555
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Anbieter: moluna, Greven, Deutschland
Zustand: New. This updated edition of Cinema in the Digital Age takes a fresh look at the state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image and examines how rec. Artikel-Nr. 204383609
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011) - both shot digitally - have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization. Artikel-Nr. 9780231167550
Anzahl: 2 verfügbar