In this lively cultural history, Doherty demonstrates that wartime Hollywood was not a rigidly controlled propaganda machine, as is often assumed, but an ad-hoc collaborative effort between the government and film industry.
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Thomas Doherty is associate professor of the American Studies Department and chair of the Film Studies Program at Brandeis University. He is author of Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934 (Columbia, 1999) and Teenagers and Teenpics: The Juvenilizatzion of American Movies in the 1950s, and is associate editor of the film journal Cinéaste.
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