Examining a range of literature, philosophy, social criticism and popular culture, this text considers the meanings and uses of culture in contemporary society. It examines both the masterworks of European literature and the art and signs and symbols of popular media and daily life. The triumph of cultural studies - and its critiques of bourgeois Eurocentric tradition - is largely complete, the author writes. Against the political appropriation of culture, he posits, instead, a definition of culture as public conversation, intellectual and social debate among diverse communities. Against reactionary pressure to impose - or reinstate - a singular culture, or to seek in art or literature an affirmation of group identity, the author sketches new roles for the human imagination in a postmodern world.
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One of our most incisive critics asks where the assault against the canons of Western culture has led us. Hartman calls for the restoration of literature to its place as the focus of thinking about culture and for the renewal of aesthetic education to help ensure the balance between art, culture, and politics.About the Author:
Geoffrey Hartman is Sterling Professor (Emeritus) of English and Comparative Literature at Yale University.
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