This book examines the treatment of space and narrative in a selection of classic films including My Darling Clementine, It's a Wonderful Life, and Vertigo. Deborah Thomas employs a variety of arguments in exploring the reading of space and its meaning in Hollywood cinema and film generally. Topics covered include the importance of space in defining genre (such as the necessity of an urban landscape for a gangster film to be a gangster film); the ambiguity of offscreen space and spectatorship (how an audience reads an unseen but inferred setting), and the use of spatially disruptive cinematic techniques such as flashback to construct meaning.
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Deborah Thomas is reader in film studies at the University of Sunderland, UK and a member of the editorial board of Movie.
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1981. A generally well-presented copy, with some spotting around the outer page edges but internally clean throughout, free from any major creases or wear. Covers firm and secure, dust jacket price clipped but otherwise presentable, with some small nicks at the corners repaired and reinforced with conservation tape, lightly faded along the spine. Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 165 x 245 mm. 208. Item Type: Book. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Science & Technology; Britain/UK; 1980s; ISBN: 0231053045. ISBN/EAN: 9780231053044. Inventory No: 47641. Artikel-Nr. 47641
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Gebunden. Zustand: New. Über den AutorDeborah Thomas is reader in film studies at the University of Sunderland, UK and a member of the editorial board of Movie.KlappentextExamines the treatment of space and narrative in a s. Artikel-Nr. 594455119
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