Why are material objects so prominent in European Romantic literature, both as symbol and organizing device? This collection of essays maintains that European Romantic culture and its aesthetic artifacts were fundamentally shaped by "object aesthetics," an artistic idiom of acknowledging, through a profound and often disruptive use of objects, the movement of Western aesthetic practice into Romantic self-projection and imagination. Of course Romanticism, in all its dissonance and anxiety, is marked by a number of new artistic practices, all of which make up a new aesthetics, accounting for the dialectical and symbolistic view of literature that began in the late eighteenth century. Romanticism and the Object adds to our understanding of that aesthetics by reexamining a wide range of texts in order to discover how the use of objects works in the literature of the time.
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LARRY H. PEER is Professor of Comparative Literature at Brigham Young University, USA, Executive Director of the International Conference on Romanticism, and editor of the journal Prism(s): Essays in Romanticism, as well as author of several volumes.
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Zustand: New. Romanticism and the Object explores ways in which European Romantic culture and its artifacts were shaped by 'object aesthetics,' a new and often disruptive use of objects in literary expression. Series: Nineteenth-Century Major Lives and Letters. Num Pages: 223 pages, biography. BIC Classification: 2AB; DSBF; DSC. Category: (P) Professional & Vocational. Dimension: 217 x 138 x 17. Weight in Grams: 364. . 2010. 2009th Edition. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780230617384
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Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Why are material objects so prominent in European Romantic literature, both as symbol and organizing device? This collection of essays maintains that European Romantic culture and its aesthetic artifacts were fundamentally shaped by "object aesthetics," an artistic idiom of acknowledging, through a profound and often disruptive use of objects, the movement of Western aesthetic practice into Romantic self-projection and imagination. Of course Romanticism, in all its dissonance and anxiety, is marked by a number of new artistic practices, all of which make up a new aesthetics, accounting for the dialectical and symbolistic view of literature that began in the late eighteenth century. Romanticism and the Object adds to our understanding of that aesthetics by reexamining a wide range of texts in order to discover how the use of objects works in the literature of the time. Artikel-Nr. 5647006/1
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