Bringing together the voices of scholars from Europe and North America with those of key contest stakeholders, Performing the 'New' Europe: Identities, Feelings, and Politics in the Eurovision Song Contest argues that this popular music competition is a symbolic contact zone between European cultures: an arena for European identification in which both national solidarity and participation in a European identity are confirmed, and a site where cultural struggles over the meanings, frontiers and limits of Europe are enacted. This exciting collection explores the ways in which European artists perform, disavow, and contest their racial, national, and sexual identities in the Eurovision Song Contest (ESC), and asks difficult questions about European inclusions and exclusions the contest reflects. It suggests the ESC as an ever-evolving network of peoples and places transcending both historical and geographical boundaries of Europe that brings into being new understandings of the relationship between culture, space, and identities.
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Ioana Szeman, Roehampton University, UK Karen Fricker, Brock University, Canada Yana Meerzon, University of Ottawa, Canada Dmitri Priven, University of Ottawa, Canada Justyna Sempruch, University of Basel, Switzerland Katarzyna Marciniak, Ohio University, USA Katrin Sieg, Georgetown University, USA Elaine Aston, Lancaster University, UK Peter Rehberg, University of Texas, Austin, USA Robert Kulpa, Birkbeck, University of London, UK Apostolos Lampropoulos, University of Cyprus, Cyprus Brian Singleton, Trinity College, Dublin, Ireland Marilena Zaroulia, University of Winchester, UK Milija Gluhovic, University of Warwick, UK
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Gebunden. Zustand: New. Ioana Szeman, Roehampton University, UKKaren Fricker, Brock University, CanadaYana Meerzon, University of Ottawa, CanadaDmitri Priven, University of Ottawa, CanadaJustyna Sempruch, University of Basel, SwitzerlandKatarzyna Marciniak, Ohio University, USAKat. Artikel-Nr. 458411038
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