Baroque Science - Hardcover

"Gal and Chen-Morris have mastered a diverse set of sources to support their claim that the 'New Science' developed from the tensions in the baroque era. This important work will provide scholars with new questions and offer opportunities to reconsider timeless questions about the nature of humanity and knowledge. Highly recommended."--G. D. Oberle III, Germanna Community College "Choice " "A novel and inspiring view of the Scientific Revolution. The book is superbly written and perfectly accessible for the general historian. I highly recommend it."--Fokko Jan Dijksterhuis, University of Twente "Journal of the Northern Renaissance " "Gal and Chen-Morris's book shows with some originality how scientists unpicked entrenched beliefs and replaced them with a new science and a new world view. A study of spectacles in medieval paintings provides a fascinating insight into how such aids were perceived in relation to the 'truth' imparted by the naked eye. The handling of Hooke's hesitation to apply the inverse square law to planetary orbits is equally absorbing, keenly revealing the tentative, painstaking deliberations that scientists of the time were engaged in. And the endeavours of Galileo and Kepler to deduce the 'perfect' mathematical laws of nature are insightfully contrasted to Isaac Newton's calm acceptance of an 'imperfect' universe and the crucial role of approximations."--Nicola K. S. Davis "Times Literary Supplement " ""Baroque Science" will help to break down the barriers between histories of science, art, and culture in the seventeenth century, and does an excellent job of tying together diverse elements in the thinking of its protagonists through original readings of their optical, mathematical, and intellectual epistemologies."--Simon Werrett, University College London "Journal for the History of Astronomy " "In one sense Gal and Chen-Morris have given us a traditional intellectual history of the development of seventeenth-century science. They concentrate on showing us how the giants of the period moved mathematics, astronomy, optics, and physics forward. But they have developed an interesting twist. Their view of the science of this period as Baroque shows us that science did not develop linearly, nor was it inevitable. Gal and Chen-Morris effectively describe the strangeness, the paradoxes, and the leaps of imagination that played crucial roles."--Sheila J. Rabin, Saint Peter s University "Renaissance Quarterly "" Gal and Chen-Morris have mastered a diverse set of sources to support their claim that the New Science developed from the tensions in the baroque era. This important work will provide scholars with new questions and offer opportunities to reconsider timeless questions about the nature of humanity and knowledge. Highly recommended. --G. D. Oberle III, Germanna Community College "Choice "" "Baroque Science" will help to break down the barriers between histories of science, art, and culture in the seventeenth century, and does an excellent job of tying together diverse elements in the thinking of its protagonists through original readings of their optical, mathematical, and intellectual epistemologies. --Simon Werrett, University College London "Journal for the History of Astronomy "" A novel and inspiring view of the Scientific Revolution. The book is superbly written and perfectly accessible for the general historian. I highly recommend it. --Fokko Jan Dijksterhuis, University of Twente "Journal of the Northern Renaissance "" Gal and Chen-Morris s book shows with some originality how scientists unpicked entrenched beliefs and replaced them with a new science and a new world view. A study of spectacles in medieval paintings provides a fascinating insight into how such aids were perceived in relation to the truth imparted by the naked eye. The handling of Hooke s hesitation to apply the inverse square law to planetary orbits is equally absorbing, keenly revealing the tentative, painstaking deliberations that scientists of the time were engaged in. And the endeavours of Galileo and Kepler to deduce the perfect mathematical laws of nature are insightfully contrasted to Isaac Newton s calm acceptance of an imperfect universe and the crucial role of approximations. --Nicola K. S. Davis "Times Literary Supplement "" In one sense Gal and Chen-Morris have given us a traditional intellectual history of the development of seventeenth-century science. They concentrate on showing us how the giants of the period moved mathematics, astronomy, optics, and physics forward. But they have developed an interesting twist. Their view of the science of this period as Baroque shows us thatscience did not develop linearly, nor was it inevitable. Gal and Chen-Morris effectively describe the strangeness, the paradoxes, and the leaps of imagination that played crucial roles. --Sheila J. Rabin, Saint Peter s University "Renaissance Quarterly "" "Building on recent work on the shifting ground between the mixed mathematical sciences and natural philosophy by Stephen Gaukroger and John Schuster, among others, this book offers a highly original account of the making of the new science in the seventeenth century."--Sven Dupre "Early Science and Medicine "" A new grand narrative of the mathematical Scientific Revolution, "Baroque Science"binds together the early modern challenges of finding epistemic order, of creating new artifices for knowledge, and of profiting from the imagination in a lucid gem of a book both technically sophisticated and accessible. Through its deft readings of Kepler, Galileo, Descartes, Hooke, and Newton, and challenging retellings of the development of optics and the inverse square law of gravitation, "Baroque Science "forcesus anew to attend the cultural and philosophical shifts that made different mathematicizations of the world possible, compelling as well as limiting. Passionate in subject matter and form, the book will enliven and inspire many a seminar and many a scholar. --Matthew L. Jones, Columbia University" How did Kepler, Descartes, Newton, and their contemporaries envision the mathematical and physical complexity of the world? In this impressive rethinking of seventeenth-century science, Ofer Gal and Raz Chen-Morris offer a new interpretation of the birth of modern science as a baroque subject born from paradox, unleashed by instruments, and reassembled in the imagination. A highly original and interdisciplinary study of the early modern natural philosopher s anxious quest to order the world. --Paula Findlen, Stanford University" "A new grand narrative of the mathematical Scientific Revolution, "Baroque Science" binds together the early modern challenges of finding epistemic order, of creating new artifices for knowledge, and of profiting from the imagination in a lucid gem of a book both technically sophisticated and accessible. Through its deft readings of Kepler, Galileo, Descartes, Hooke, and Newton, and challenging retellings of the development of optics and the inverse square law of gravitation, "Baroque Science "forces us anew to attend the cultural and philosophical shifts that made different mathematicizations of the world possible, compelling--as well as limiting. Passionate in subject matter and form, the book will enliven and inspire many a seminar and many a scholar."--Matthew L. Jones, Columbia University "How did Kepler, Descartes, Newton, and their contemporaries envision the mathematical and physical complexity of the world? In this impressive rethinking of seventeenth-century science, Ofer Gal and Raz Chen-Morris offer a new interpretation of the birth of modern science as a baroque subject born from paradox, unleashed by instruments, and reassembled in the imagination. A highly original and interdisciplinary study of the early modern natural philosopher's anxious quest to order the world."--Paula Findlen, Stanford University

In "Baroque Science", Ofer Gal and Raz D. Chen-Morris present a radically new perspective on the study of early modern science. Instead of the triumph of reason and rationality and the celebration of the discoveries and breakthroughs of the period, they examine science in the context of the baroque, analyzing the tensions, paradoxes, and compromises that shaped the New Science of the seventeenth century and enabled its spectacular success. Gal and Chen-Morris show how scientists during the seventeenth century turned away from the trust in the acquisition of knowledge through the senses toward a growing reliance on the mediation of artificial instruments, such as lenses and mirrors for observation and mechanical and pneumatic devices for experimentation. Likewise, the mathematical techniques and procedures that allowed the success of mathematical natural philosophy turned increasingly obscure and artificial, and in place of divine harmonies they revealed an assemblage of isolated, contingent laws and constants. In its attempts to enforce order in the face of threatening chaos, blur the boundaries of the natural and the artificial, and mobilize passions in the service of objective knowledge, Gal and Chen-Morris reveal, the New Science is a baroque phenomenon.