Romey's Order is an indelible sequence of poems voiced by an invented (and inventive) boy-speaker called Romey, set alongside a river in the South Carolina lowcountry.
As the word-furious eye and voice of these poems, Romey urgently records--and tries to order--the objects, inscape, injuries, and idiom of his "blood-home" and childhood world. Sounding out the nerves and nodes of language to transform "every burn-mark and blemish," to “bind our river-wrack and leavings," Romey seeks to forge finally (if even for a moment) a chord in which he might live. Intently visceral, aural, oral, Atsuro Riley's poems bristle with musical and imaginative pleasures, with story-telling and picture-making of a new and wholly unexpected kind.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Acknowledgments.....................xiFlint-Chant.........................3Picture.............................7Turn................................9Strand..............................11Object..............................15Skin................................17Map.................................19Drift-Raft..........................20Tablet..............................21Box.................................23Nullaby.............................24Story...............................25Drill...............................26Diorama.............................28Filmstrip...........................30Rage-Lodge..........................32Skillet.............................33Campground..........................34Scroll..............................36Bell................................40Fosterling-Song.....................41Hutch...............................42Roses...............................44Clary...............................45O...................................47Chord...............................49Notes...............................53
Once upon a time a ditchpipe got left behind behind Azalea Industrial, back in the woods backing on to the Ashley, where old pitch-pines and loblollies grow wild. A mild pesticide-mist was falling and mingling with paper-mill smell and creosote oil the morning he found it. The boy shook and sheltered in its mouth awhile —hoo-hoo! hey-O!— and bent and went on in. It was like a cave but clean. He C-curved his spine against one wall to fit, and humming something, sucked his shirttail. He tuned his eyes to what low light there was and knuckle-drummed a line along his legs.
What the boy called inside-oku called him back. He was hooked right quick on the well-bottom peace of the pumicey concrete and how sounds sounded in there, and re-sounded. Tight-curled as he had to get —like a cling-shrimp one day, a pill-bug, a bass-clef, a bison's eye; an abalone (ocean-ear!), antler-arc, Ark-ant, apostrophe another— sure as clocks a cool clear under-creek would rise, and rinse him through, and runnel free. Hanging in a green-pine O outside were sun-heat and smaze and BB-fire and Mosquito Abatement. Inside there were water-limber words (and a picture-noisy nave), shades of shade.
PICTURE
This is the house (and jungle-strangled yard) I come from and carry.
The air out here is supper-singed (and bruise-tingeing) and close. From where I'm hid (a perfect Y-crotch perch of medicine-smelling sweet-gum), I can belly-worry this (welted) branch and watch for swells (and coming squalls) along our elbow-curve of river, or I can hunker-turn and brace my trunk and limbs —and face my home.
Our roof is crimp-ribbed (and buckling) tin, and tar.
Our (in-warped) wooden porch-door is kick-scarred and splintering. The hinges of it rust-cry and -rasp in time with every Tailspin-wind, and jamb-slap (and after-slap), and shudder.
Our steps are slabs of cinder-crush and -temper, tamped and cooled.
See that funnel-blur of color in the red-gold glass? —Mama, mainly: boiling jelly. She's the apron-yellow (rickracked) plaid in there, and stove-coil coral; the quick silver blade-flash, plus the (magma-brimming) ladle-splash; that's her behind the bramble-berry purple, sieved and stored.
Out here, crickets are cricking their legs. Turtlets are cringing in their bunker-shells and burrows. Once-bedded nightcrawling worms are nerving up through beanvine-roots (and moonvines), —and dew-shining now, and cursive:
Mama will pressure-cook and scald and pan-scorch and frizzle.
Daddy will river-drift down to the (falling-down) dock.
I myself will monkey-shinny so high no bark-burns (or tree-rats, or tides) or lava-spit can reach me.
I will hunt for after-scraps (and -sparks) and eat them all.
TURN
A bright-hot morning; me and Daddy; a fever-cloud of glassy-eyed iridescent flies. Up ahead, invisible heat-devils waver over our (brownbottle) boomerang of river; our rank-pink curves of bait-bucket chicken-neck marinate, and jellify, and stew.
We are walking the oyster-shell zig-path from my blood-home to the water, three hundred and eleven crunch-steps from back door to dock. This is Daddy's day off, our day for blue-crabbing. That neon hum you're hearing? —The colored jinks of flies.
They're all here today, every local-grown species, every flying insect with a taste for something spoiled: heavy-hipped houseflies and hairy-chested horseflies, bloated bluebottles, glossy greenbottles, dirtspeck-tiny screen-huggers too high-strung to swat. One minute back, they were hovering hairnet- (and halo-) style above my bald-headed daddy; now they are down-diving, and landing, in dark clots and clusters, on his eyebrows, neck-bones, knees.
Ninety-nine.
Along in here, our switchback crumbles down to shell-shards and powder.
One hundred.
His breath comes out vinegary when he turns.
Now he's the stagger-leggèd man, sun-squinting facing me so his eyes draw tight and Japanese like Mama's. He is fishing through the fly-fog for my name.
Romey-boy ... he tries saying, slow-slurring it long, long, until the word-sound goes strange in the air and bends back on itself, like a shell-road or a river.
Ninety-nine.
Ninety-eight.
Ninety-seven.
The sand-bar has shown up (and shone) and I'm home-headed; that's my crab-net, and my lunch-bag, and my yellow fly-blown bucket, dragging there behind me like a ruined foot.
STRAND
Alphabet, sluice the porch.
Bind (and try to braid) our river-wrack and leavings.
Used to, it was cackle-berries and cat-heads with him when he dry-docked home.
Daddy: Mama, don't cook all the running out them yellows!
Me: And raise them biscuits big, for sopping!
Other egg-names of ours I've kept are hen-drops, and coop-mines (and -moons), and chicken-lights, and dumpties.
Here is the fillingstation-shirt he got from when he pump-monkeyed for money. The name-eggs (red-stitched and patched to where his chest would go) say Eugene on one side and Esso on the other. Happy Motoring! is tiger-tailed in script across its back.
Gas-smell's the main meat. Grass-sweat. Gnat lotion, neckwise. Ghost-whiffs of GOOP for gunky hands.
His hands (and mine, hammering) made this hutch. I reckon your rabbit could use her a cabin or someplace. Chicken-wire's right airy, and cleans. Let's drive some stilt-legs down to set her up, so dogs don't help theirself to supper.
(Instinct —they can't hardly help it— makes them try.)
Jim Beam & Jim Crow drive him through, like Jesus does some others.
Sure I'm evergreen for Wallace but I'm not no KKK.
Leaf. Leave. Leaves. Leaving. Left.
Have I said yet how mudworms (and flickery mind-minnows) live off leaf-chaff and blown bark-slough and home-grounds and gravel? Son, rearing you some is easy: they durn nearabout feed theirselves!
Time was —or truer, nights were— he'd porch-beach finally, or suddenly yard-founder, from nowhere.
One time I kerosened an ancient oak to lure him home.
POLAROID
The charcoal-stump of it.
The hole.
The rain-pond, ringed with...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 11810619-6
Anzahl: 1 verfügbar
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 39770280-6
Anzahl: 2 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. FW-9780226719443
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. FW-9780226719443
Anzahl: 15 verfügbar
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. pp. 64. Artikel-Nr. 8246635
Anzahl: 3 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A sequence of poems voiced by an invented (and inventive) boy-speaker called Romey, set alongside a river in the South Carolina lowcountry. Num Pages: 64 pages, black & white illustrations. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 5. Weight in Grams: 122. . 2010. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780226719443
Anzahl: Mehr als 20 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 64 pages. 8.80x6.00x0.40 inches. In Stock. Artikel-Nr. x-0226719448
Anzahl: 2 verfügbar
Anbieter: San Francisco Book Company, Paris, Frankreich
Paperback. Zustand: Very good. Paperback Octavo. wraps, 54 pp signed by the author on the title page. Artikel-Nr. 109838
Anzahl: 1 verfügbar
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New. A sequence of poems voiced by an invented (and inventive) boy-speaker called Romey, set alongside a river in the South Carolina lowcountry.Klappentextrnrn Romey s Order is an indelible sequence of poems voiced by an invented (and invent. Artikel-Nr. 582382628
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'Romey's Order' is an indelible sequence of poems voiced by an invented (and inventive) boy-speaker called Romey, set alongside a river in the South Carolina lowcountry.As the word-furious eye and voice of these poems, Romey urgently records--and tries to order--the objects, inscape, injuries, and idiom of his 'blood-home' and childhood world. Sounding out the nerves and nodes of language to transform 'every burn-mark and blemish,' to 'bind our river-wrack and leavings,' Romey seeks to forge finally (if even for a moment) a chord in which he might live. Intently visceral, aural, oral, Atsuro Riley's poems bristle with musical and imaginative pleasures, with story-telling and picture-making of a new and wholly unexpected kind. Artikel-Nr. 9780226719443
Anzahl: 1 verfügbar