Amid the crowded streets of Chester, guild players portraying biblical characters performed on colorful mobile stages hoping to draw the attention of fellow townspeople. In the fifteenth and sixteenth centuries, these Chester plays employed flamboyant live performance to adapt biblical narratives. But the original format of these fascinating performances remains cloudy, as surviving records of these plays are sparse, and the manuscripts were only written down a generation after they stopped. Revealing a vibrant set of social practices encoded in the Chester plays, Matthew Sergi provides a new methodology for reading them and a transformative look at medieval English drama.
Carefully combing through the plays, Sergi seeks out cues in the dialogues that reveal information about the original staging, design, and acting. These “practical cues,” as he calls them, have gone largely unnoticed by drama scholars, who have focused on the ideology and historical contexts of these plays, rather than the methods, mechanics, and structures of the actual performances. Drawing on his experience as an actor and director, he combines close readings of these texts with fragments of records, revealing a new way to understand how the Chester plays brought biblical narratives to spectators in the noisy streets. For Sergi, plays that once appeared only as dry religious dramas come to life as raucous participatory spectacles filled with humor, camp, and devotion.
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Matthew Sergi is assistant professor of English at the University of Toronto. He has worked as an actor and director, and his scholarship on medieval plays has appeared in a variety of publications.
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Taschenbuch. Zustand: Neu. Neuware - 'Matthew Sergi brings his experience as an actor and director, as well as a medievalist, to this revolutionary study of the Chester Mystery Plays specifically, and to medieval English drama more broadly. Using his extensive knowledge of applied theater, Sergi bridges the gap between text and performance through his identification of 'practical cues' (as he coins the phrase) in the plays themselves that are verbal prompts for extra-verbal action. By placing close readings of the dialogues alongside stage directions and extant production records from the Chester archives, Sergi recovers details largely overlooked (or ignored) by previous scholars. He reconstructs a very different portrait of these Cestrian mise-en-scáene and how they might've played out in the streets. What might at first seem like a solemn scene on paper, Sergi shows, coalesces in performance into a veritable street festival: a series of cued public practices, enacted in real time at street level, offering enjoyment, viewer participation, and meaning to both learned and unlearned spectators alike. Regardless of the plays' verbal or dramatic coherence, and unconcerned with the top-down political, religious, and economic approaches to understanding the plays that have dominated most recent scholarly interpretations, Sergi shows us a distinctly Cestrian way of enacting Bible stories: where dry scriptural, didactic, or devotional moments in the texts can quickly become a collaborative, immediate, accessible amusement, an inclusive, public spectacle that, as Sergi describes, is already built into the very fabric of the 'practical cues' in the words of the plays themselves'. Artikel-Nr. 9780226709376
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