"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself.
Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
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Philip V. Bohlman is the Mary Werkman Distinguished Service Professor of the Humanities and of Music at the University of Chicago and coeditor of the Chicago Studies in Ethnomusicology series published by the University of Chicago Press.
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Paperback. Zustand: Very Good. Music and the Racial Imagination (Chicago Studies in Ethnomusicology) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Artikel-Nr. 7719-9780226702001
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Zustand: New. Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-Western and global music. Series: Chicago Studies in Ethnomusicology. Num Pages: 720 pages, 36 halftones, 3 line drawings. BIC Classification: AV; JFCX; JFSL; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 154 x 40. Weight in Grams: 930. . 2001. 1st Edition. Paperback. . . . . Artikel-Nr. V9780226702001
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Zustand: New. Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-Western and global music. Series: Chicago Studies in Ethnomusicology. Num Pages: 720 pages, 36 halftones, 3 line drawings. BIC Classification: AV; JFCX; JFSL; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 154 x 40. Weight in Grams: 930. . 2001. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780226702001
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