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Lost Mars: Stories from the Golden Age of the Red Planet - Softcover

Buch 1 von 12: British Library Science Fiction Classics
 
9780226575087: Lost Mars: Stories from the Golden Age of the Red Planet

Inhaltsangabe

“I was suddenly struck with the sight of a trail of rich red vegetation of several miles in the midst of the eternal snows. I approached with curiosity this oasis in the frozen desert.”
            An antique-shop owner gets a glimpse of the Red Planet through an intriguing artifact. A Martian’s wife contemplates the possibility of life on Earth. A resident of Venus describes his travels across the two alien planets. From an arid desert to an advanced society far superior to that of Earth, portrayals of Mars have differed radically in their attempts to uncover the truth about our neighboring planet.
            Since the 1880s, after an astronomer first described “channels” on the surface of Mars, writers have been fascinated with the planet, endlessly speculating on what life on Mars might look like and what might happen should we make contact with the planet's inhabitants. This wonderful collection offers ten wildly imaginative short stories from the golden age of science fiction by such classic sci-fi writers as H.G. Wells, Ray Bradbury, and J. G. Ballard, as well as hard-to-find stories by unjustly forgotten writers from the genre.
            Assembled and introduced by acclaimed anthologist Mike Ashley, these stories vividly evoke a time when notions of life on other planets—from vegetation and water to space invaders and utopian societies—were new and startling. As we continue to imagine landing people on Mars, these stories are well worth revisiting as gripping and vivid dispatches from futurists past.
 

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Über die Autorinnen und Autoren

Mike Ashley is a leading historian of sci-fi magazines. He is the author of Out of this World: Science Fiction But Not as You Know It, and of the Edgar Award–winning The Mammoth Encyclopedia of Modern Crime Fiction. He has also served as an editor for numerous encyclopedia works of genre fiction.
 


Mike Ashley is a leading historian of sci-fi magazines. He is the author of Out of this World: Science Fiction But Not as You Know It, and of the Edgar Award'winning The Mammoth Encyclopedia of Modern Crime Fiction. He has also served as an editor for numerous encyclopedia works of genre fiction.
 

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Lost Mars

Stories from the Golden Age of the Red Planet

By Mike Ashley

The University of Chicago Press

Copyright © 2018 Mike Ashley
All rights reserved.
ISBN: 978-0-226-57508-7

Contents

INTRODUCTION,
The Crystal Egg H. G. Wells,
Letters from Mars W. S. Lach-Szyrma,
The Great Sacrifice George C. Wallis,
The Forgotten Man of Space P. Schuyler Miller,
A Martian Odyssey Stanley G. Weinbaum,
Ylla Ray Bradbury,
Measureless to Man Marion Zimmer Bradley,
Without Bugles E. C. Tubb,
Crucifixus Etiam Walter M. Miller, Jr.,
The Time-Tombs J. G. Ballard,
NOTES,


CHAPTER 1

THE CRYSTAL EGGH. G. Wells


As discussed in the Introduction, the author who really brought science fiction alive and, in particular, the potential horrors of an invasion by aliens with superior technology, was H. G. Wells (1866–1946). Regarded by many as the Father of Science Fiction, Wells was able to express thoughts on how technology might affect individuals and society rather than focus solely on the technology itself. His fascination with evolution and Social Darwinism was evident from some of his earliest writings, such as 'The Man of the Year Million' (1893) which, along with his first short novel, The Time Machine (1895) presented a vision of what humankind might be like in the far future. In the years from 1893 to 1904 he produced a considerable number of short stories and novels, which are now classified as science fiction but which Wells called his "scientific fantasia". The War of the Worlds, first serialised in Pearson's Magazine from April to December 1897, might well be the most popular of these novels and certainly the best known, what with several film adaptations, the musical adaptation by Jeff Wayne, and the notorious 1938 radio adaptation by Orson Welles which allegedly sent listeners into panic. Wells brought home to readers as never before how helpless we are in the face of alien technology and power.

What is sometimes forgotten is that Wells wrote another story, which serves as a kind of precursor to The War of the Worlds, allowing someone on Earth to see what Mars itself was like. 'The Crystal Egg', first published in The New Review for May 1897 is also one of those stories that fits into the sub-genre of "magic shop" fiction. And in case anyone wonders, the £5 mentioned in the story would be the equivalent of over £500 today.


THERE WAS, UNTIL A YEAR AGO, A LITTLE AND VERY GRIMY-looking shop near Seven Dials, over which, in weather-worn yellow lettering, the name of "C. Cave, Naturalist and Dealer in Antiquities," was inscribed. The contents of its window were curiously variegated. They comprised some elephant tusks and an imperfect set of chessmen, beads and weapons, a box of eyes, two skulls of tigers and one human, several moth-eaten stuffed monkeys (one holding a lamp), an old-fashioned cabinet, a flyblown ostrich egg or so, some fishing-tackle, and an extraordinarily dirty, empty glass fish-tank. There was also, at the moment the story begins, a mass of crystal, worked into the shape of an egg and brilliantly polished. And at that two people who stood outside the window were looking, one of them a tall, thin clergyman, the other a black-bearded young man of dusky complexion and unobtrusive costume. The dusky young man spoke with eager gesticulation, and seemed anxious for his companion to purchase the article.

While they were there, Mr. Cave came into his shop, his beard still wagging with the bread and butter of his tea. When he saw these men and the object of their regard, his countenance fell. He glanced guiltily over his shoulder, and softly shut the door. He was a little old man, with pale face and peculiar watery blue eyes; his hair was a dirty grey, and he wore a shabby blue frock-coat, an ancient silk hat, and carpet slippers very much down at heel. He remained watching the two men as they talked. The clergyman went deep into his trouser pocket, examined a handful of money, and showed his teeth in an agreeable smile. Mr. Cave seemed still more depressed when they came into the shop.

The clergyman, without any ceremony, asked the price of the crystal egg. Mr. Cave glanced nervously towards the door leading into the parlour, and said five pounds. The clergyman protested that the price was high, to his companion as well as to Mr. Cave — it was, indeed, very much more than Mr. Cave had intended to ask when he had stocked the article — and an attempt at bargaining ensued. Mr. Cave stepped to the shop door, and held it open. "Five pounds is my price," he said, as though he wished to save himself the trouble of unprofitable discussion. As he did so, the upper portion of a woman's face appeared above the blind in the glass upper panel of the door leading into the parlour, and stared curiously at the two customers. "Five pounds is my price," said Mr. Cave, with a quiver in his voice.

The swarthy young man had so far remained a spectator, watching Cave keenly. Now he spoke. "Give him five pounds," he said. The clergyman glanced at him to see if he were in earnest, and when he looked at Mr. Cave again, he saw that the latter's face was white. "It's a lot of money," said the clergyman, and, diving into his pocket, began counting his resources. He had little more than thirty shillings, and he appealed to his companion, with whom he seemed to be on terms of considerable intimacy. This gave Mr. Cave an opportunity of collecting his thoughts, and he began to explain in an agitated manner that the crystal was not, as a matter of fact, entirely free for sale. His two customers were naturally surprised at this, and inquired why he had not thought of that before he began to bargain. Mr. Cave became confused, but he stuck to his story, that the crystal was not in the market that afternoon, that a probable purchaser of it had already appeared. The two, treating this as an attempt to raise the price still further, made as if they would leave the shop. But at this point the parlour door opened, and the owner of the dark fringe and the little eyes appeared.

She was a coarse-featured, corpulent woman, younger and very much larger than Mr. Cave; she walked heavily, and her face was flushed. "That crystal is for sale," she said. "And five pounds is a good enough price for it. I can't think what you're about, Cave, not to take the gentleman's offer!"

Mr. Cave, greatly perturbed by the irruption, looked angrily at her over the rims of his spectacles, and, without excessive assurance, asserted his right to manage his business in his own way. An altercation began. The two customers watched the scene with interest and some amusement, occasionally assisting Mrs. Cave with suggestions. Mr. Cave, hard driven, persisted in a confused and impossible story of an inquiry for the crystal that morning, and his agitation became painful. But he stuck to his point with extraordinary persistence. It was the young Oriental who ended this curious controversy. He proposed that they should call again in the course of two days — so as to give the alleged inquirer a fair chance. "And then we must insist," said the clergyman. "Five pounds." Mrs. Cave took it on herself to apologise for her husband, explaining that he was sometimes "a little odd," and as the two customers left, the couple prepared for a free discussion of the incident in all its bearings.

Mrs. Cave talked to her husband with singular directness. The poor little man, quivering with emotion, muddled himself between...

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