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The nature of the visual has recently moved to the centre of debates in the humanities. Art history as a discipline is now addressing some of the most basic questions about cultural production, questions such as how images function and how expectations and social factors mediate what we see. The new scope of art history has required a major expansion and reassessment of methods and terminology. This book is both an exposition and a demonstration of contested terms from the current art historical vocabulary. In individual essays, scholars examine the history and use of these terms by grounding their discussions in single works of art, reading each work through current debates and methods. This instructive combination of theory and practice allows readers to examine the terms as they are seeing them employed. Like its companion, "Critical Terms for Literary Study", this book should prove to be of use as a resource both for those beginning to learn about the visual theory and for scholars and historians.
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Artikel-Nr. 4877542-6
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Anbieter: Better World Books, Mishawaka, IN, USA
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Anbieter: Wonder Book, Frederick, MD, USA
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The nature of the visual has recently moved to the centre of debates in the humanities. Art history as a discipline is now addressing some of the most basic questions about cultural production, questions such as how images function and how expectations and social factors mediate what we see. The new scope of art history has required a major expansion and reassessment of methods and terminology. This book is both an exposition and a demonstration of contested terms from the current art historical vocabulary. In individual essays, scholars examine the history and use of these terms by grounding their discussions in single works of art, reading each work through current debates and methods. This instructive combination of theory and practice allows readers to examine the terms as they are seeing them employed. Like its companion, "Critical Terms for Literary Study", this book should prove to be of use as a resource both for those beginning to learn about the visual theory and for scholars and historians. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR002068825
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. No dust jacket. Artikel-Nr. 8611507
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780226571652. Artikel-Nr. 9373955
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780226571652. Artikel-Nr. 9304447
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Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Original softcover. Zustand: Sehr gut. XVI, 364 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Overall very good and clean. - Contents: At the Place of a Foreword: Someone Looking, Reading, and Writing, Robert S. Nelson -- Operations -- 1. Representation, David Summers -- 2. Sign, Alex Potts -- 3. Simulacrum, Michael Camille -- Communications -- 4. Word and Image, W. J. T. Mitchell -- 5. Narrative, Wolfgang Kemp -- 6. Context, Paul Mattick, Jr. -- 7. Meaning/Interpretation, Stephen Bann -- Histories -- 8. Originality, Richard Sluff -- 9. Appropriation, Robert S. Nelson -- 10. Art History, David Carrier -- 11. Modernism, Charles Harrison -- 12. Avant-Garde, Ann Gibson -- 13. Primitive, Mark Antliff and Patricia Leighten -- Social Relations -- 14. Rimal, Suzanne Preston Blier -- 15. Fetish, William Pietz -- 16. Gaze, Margaret Olin -- 17. Gender, Whitney Davis -- Societies -- 18. Modes of Production, Terry Smith -- 19. Commodity, Paul Wood -- 20. Collecting/Museums, Donald Preziosi -- 21. Value, Joseph Leo Koerner and Lisbet Koerner -- 22. Postmodernism/Postcolonialism, Homi K. Bhabha -- Afterword: Figuration, Richard Shiff. ISBN 9780226571652 Sprache: Englisch Gewicht in Gramm: 698. Artikel-Nr. 1189970
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Anbieter: Antiquariat Rohde, Hamburg, Deutschland
broschiert. Zustand: Sehr gut. 364 Seiten ; Ill. ; Sprache: Englisch sehr guter Zustand, leichte Lagerspuren am Einband, einige Seiten mit kleinen Knicken an der oberen Ecke, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 690. Artikel-Nr. 50034
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Anbieter: Antiquariat Rohde, Hamburg, Deutschland
broschiert. Zustand: Wie neu. 364 Seiten ; Ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Einband, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 690. Artikel-Nr. 46444
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