"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."--David Kraehenbuehl, "Journal of Music Theory """ "This is the best study of its kind to have come to the attention of this reviewer."--Jules Wolffers, "The Christian Science Monitor ""It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."--David P. McAllester, "American Anthropologist ""A book which should be read by all who want deeper insights into music listening, performing, and composing."--Marcus G. Raskin, "Chicago Review "
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Buchbeschreibung University Of Chicago Press, US, 1961. Paperback. Buchzustand: Very Good. 0226521397 Very good. Some creasing. * Quality, Value, Experience. Media Shipped in New Boxes. Artikel-Nr. WARE84DT3214