Metaromanticism: Aesthetics, Literature, Theory - Hardcover

Hamilton, Paul

 
9780226314792: Metaromanticism: Aesthetics, Literature, Theory
Hardcover
ISBN 10: 0226314790 ISBN 13: 9780226314792
Verlag: University of Chicago Press, 2003

Inhaltsangabe

Paul Hamilton here redefines romanticism in terms of its philosophical habits of self-consciousness. According to Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through bracing analyses of the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, and Jane Austen, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as Hamilton reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limits, such contemplation either manifested itself as self-disgust or forced romanticists to search for a discourse outside of aesthetics. Adding greater clarity to our understanding of romanticism and shedding much-needed light on the commerce between English writers and philosophers in Germany and France, this study should be valuable to students of literature, aesthetics and critical theory.

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Über die Autorin bzw. den Autor

Paul Hamilton is a professor of English in the School of English and Drama at Queen Mary, University of London. He is the author ofColeridge's Poetics, Wordsworth, Historicism, and Percy Bysshe Shelley.

Von der hinteren Coverseite

This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself.

Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.

Aus dem Klappentext

This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself.

Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.

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Verlag
University of Chicago Press
Erscheinungsdatum
2003
Sprache
Englisch
ISBN 10 
0226314790
ISBN 13 
9780226314792
Einband
Tapa dura
Anzahl der Seiten
328
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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9780226314808: Metaromanticism: Aesthetics, Literature, Theory

Vorgestellte Ausgabe

ISBN 10:  0226314804 ISBN 13:  9780226314808
Verlag: University of Chicago Press, 2003
Softcover