In his sixth collection, Mark Halliday continues to seek ways of using the smart playfulness of such poets as Frank O’Hara and Kenneth Koch to explore life’s emotional mysteries—both dire and hilarious—from the perpetual dissolving of our past to the perpetual frustration of our cravings for ego-triumph, for sublime connection with an erotically idealized Other, and for peace of spirit. Animated by belief in the possible truths to be reached in interpersonal speech, Halliday’s voice-driven poetry wants to find insight—or at least a stay against confusion—through personality without being trapped in personality. History will leave much of what we are on the threshing floor, Halliday notes, but in the meantime we do what we can; let posterity (if any!) say we rambled truly.
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| Acknowledgments............................................................ | ix |
| Lois in the Sunny Tree..................................................... | 3 |
| Quite Frankly.............................................................. | 4 |
| Sweet and Dandy............................................................ | 5 |
| Return to Elmgrove......................................................... | 6 |
| Vacation Day in 1983....................................................... | 7 |
| There We Were.............................................................. | 9 |
| Historic Shirt............................................................. | 11 |
| Thanks to Acker Bilk....................................................... | 12 |
| Frankfort Laundromat....................................................... | 13 |
| 240 Sneakers............................................................... | 15 |
| Ted's Elegiac Work......................................................... | 17 |
| Bev and Broadway........................................................... | 19 |
| Spunktilio Awaits the Biographer........................................... | 20 |
| Visionary Age 79........................................................... | 22 |
| Yvette Vickers............................................................. | 23 |
| After You Die.............................................................. | 24 |
| Classic Blunder............................................................ | 28 |
| Just In Time............................................................... | 29 |
| Ferguson High.............................................................. | 33 |
| Sorority Softball.......................................................... | 35 |
| Double Reverse............................................................. | 36 |
| Wide Receiver.............................................................. | 38 |
| La Marquise de Gloire...................................................... | 39 |
| Flang Flight............................................................... | 40 |
| Ducks Not in Row........................................................... | 42 |
| Pathos of the Momentary Smile.............................................. | 43 |
| Huge Party................................................................. | 47 |
| Unconversation............................................................. | 49 |
| Before Dawn................................................................ | 52 |
| Wheeling................................................................... | 53 |
| Pathos of the Detective.................................................... | 56 |
| Threshed Out............................................................... | 57 |
| Tossed..................................................................... | 58 |
| Assisted Living............................................................ | 62 |
| Livin' in the World........................................................ | 63 |
| Lingo Bistro............................................................... | 69 |
| New New Poetics............................................................ | 71 |
| Thanks for Your Book....................................................... | 73 |
| Glancers................................................................... | 75 |
| Talented Youth............................................................. | 76 |
| Mildewed Anthologies....................................................... | 78 |
| Reader Depressed........................................................... | 79 |
| His Alley Metaphor......................................................... | 81 |
| The One for Her............................................................ | 82 |
LOIS IN THE SUNNY TREE
When in August 1920 I smiled for the camera
from my perch on the limb of a sun-spangled tree,
says Lois, long dead now but humorously seven years old then,
with a giant ribbon in my hair, the sorrow of living in time
was only very tiny and remote in some far corner of my mind
and for me to know then, as I smiled for that camera
in Michigan in the summer of 1920
that you would peer thoughtfully and admiringly
into my happy photographed eyes eighty-some years later
would have been good for me only in a very tiny and remote way.
QUITE FRANKLY
They got old, they got old and died. But first—
okay but first they composed plangent depictions
of how much they lost and how much cared about losing.
Meantime their hair got thin and more thin
as their shoulders went slumpy. Okay but
not before the photo albums got arranged by them,
arranged with a niftiness, not just two or three
but eighteen photo albums, yes eighteen eventually,
eighteen albums proving the beauty of them (and not someone else),
them and their relations and friends, incontrovertible
playing croquet in that Bloomington yard,
floating on those comic inflatables at Dow Lake,
giggling at the Dairy Queen, waltzing at the wedding,
building a Lego palace on the porch,
holding the baby beside the rental truck,
leaning on the Hemingway statue at Pamplona,
discussing the eternity of art in that Sardinian restaurant.
Yes! And so, quite frankly—at the end of the day—
they got old and died okay sure but quite frankly
how much does that matter in view of
the eighteen photo albums, big ones
thirteen inches by twelve inches each
full of such undeniable beauty?
SWEET AND DANDY
Music poured from the big brown house
It was sweet and dandy, sweet and...
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