Man a Creative First Cause, 2 Discourses - Softcover

Hazard, Rowland Gibson

 
9780217425674: Man a Creative First Cause, 2 Discourses

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Inhaltsangabe

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1883. Excerpt: ... Of the phenomena of our own spiritual nature we are directly conscious. The phenomena without us are conveniently called objective, and those within us subjective. Our efforts to effect change in either sphere are always subjective. In efforts for objective change we always begin by a movement of our own muscles. We thus directly change the material status without us, and, as already shown, we may by such change in the external material conditions to be acted upon indirectly influence the free action of others. We can thus by our own efforts make objective phenomena, including the mental action and volitions of others, different from what they otherwise would be. § 13. I have already alluded to the two different hypotheses, the one regarding material phenomena as forms of a distinct entity, called matter; the other regarding it as but the thought and imagery of the mind of God immediately impressed upon and made palpable to our finite minds, without any intermediate vehicle in the process. In either case the sensations, by which alone we know, or which perhaps are all there is, of the phenomena, are equally real, and are in fact identically the same on the one hypothesis as upon the other. If as a result or corollary of our arguments in regard to cause, or otherwise, the material universe is regarded as the work of an intelligent Creator, working with design to produce a certain effect, then, upon either of these hypotheses, it is the presentation and expression of a conception existing as thought and imagery in his mind before he gave it palpable tangible existence in ours, and the only question as between the two hypotheses is, whether, in making it palpable to us, he transfers this thought and imagery directly to our minds, or does this by paintin...

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