The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defining topics and debates in computer music today. A unique contribution to the field, it situates computer music in the broad context of its creation and performance across the range of issues - from music cognition to pedagogy to sociocultural topics - that shape contemporary discourse in the field.
Fifty years after musical tones were produced on a computer for the first time, developments in laptop computing have brought computer music within reach of all listeners and composers. Production and distribution of computer music have grown tremendously as a result, and the time is right for this survey of computer music in its cultural contexts. An impressive and international array of music creators and academics discuss computer music's history, present, and future with a wide perspective, including composition, improvisation, interactive performance, spatialization, sound synthesis, sonification, and modeling. Throughout, they merge practice with theory to offer a fascinating look into computer music's possibilities and enduring appeal.
Roger Dean is Research Professor of Sonic Communication at the University of Western Sydney, and Founder and Artistic Director of austraLYSIS. He is also author of Hyperimprovisation: Computer Interactive Sound Improvisation (2003) and Sounds from the Corner: Australian Contemporary Jazz Since 1973 (2005)
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Buchbeschreibung Oxford University Press, New York, 2009. Paperback. Buchzustand: Very Good. Paperback in very good condition. The lightest of wear to the cover. Contents are sound and clear. CM. Used. Artikel-Nr. 458467
Buchbeschreibung Oxford University Press, Oxford, 2009. Paperback. Buchzustand: Very Good. Paperback in very good condition - a few minor marks on page block; pages remain clean and sound throughout volume, with all text clear. TS. Used. Artikel-Nr. 455769