Bluebeard', in which women are slaughtered by a monstrous husband and their bodies hidden in a horrible chamber, is the most hair-raising of tales; yet with its happy ending, it also has a utopian force.
Using the idiom of literary criticism, the study considers Bluebeard texts as a seismograph of gender politics and of the process of civilization from seventeenth-century France to 1990s Germany, in a broad range of canonical and non-canonical, often forgotten texts. The study discusses Charles Perrault's French version of 1697, through Ludwig Tieck's versions of 1797 and classic versions by the Grimms and Ludwig Bechstein, to nineteenth-century romantic fiction, the savagery of High Modernism, and twentieth-century versions such as that of the Surrealist Unica Zürn.
While the focus is on literature in German, this is the first full-length study published in any language of the history of Bluebeard, and it redefines the canon and our interpretations of this key tale.
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Zustand: New. 'Bluebeard', in which women are slaughtered and hidden in a horrible chamber by a monstrous husband, is hair-raising; yet its happy ending gives it a utopian force. Davies's book focuses on literature in German from the eighteenth century to the 1990s, and is the first full-length study of the history of Bluebeard published in any language. Series: Oxford Modern Language and Literature Monographs. Num Pages: 296 pages, bibliography, index. BIC Classification: 2ACG; 3JD; 3JF; 3JH; 3JJ; DSBD; DSBF; DSBH; JFSJ. Category: (P) Professional & Vocational. Dimension: 224 x 146 x 21. Weight in Grams: 468. . 2001. Hardback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780199242757
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