The Oxford Dictionary of Music is the indispensable guide for all music lovers and performers, both amateur and professional. It brings together an unrivalled collection of entries - 12,500 in all - covering musical subjects of all kinds in an authoritative and accessible way. There are entries on composers, performers, conductors, musical terms and forms, instruments, works, venues, and a host of other topics. There are 5,000 entries on composers, most with worklists that have now been brought right up to date. The entries on conductors and performers, which include contemporary musicians in all fields: John Mark Ainsley, Daniel Barenboim, Kathleen Battle, Marilyn Horne, Sumi Jo, Trevor Pinnock, Simon Rattle, Bryn Terfel, Michael Tilson Thomas, have also been updated. There are entries on directors and critics, producers and designers of international repute from across the centuries, on writers and scholars, and on musical journals and other publications. There are entries on individual works, including operas and ballets, on orchestras and companies from around the world, and on famous opera houses, concert-halls, and musical festivals, including Salzburg and Edinburgh. Musical terms and styles such as musique concrète, chromaticism, and tutti, and forms ranging from operatic, vocal, and film scores, to song cycles, chamber, hymns, barbershop, and oratorios are covered, as are general themes such as musicology, acoustics, and absolute pitch, and historical periods such as the Byzantine era. Finally come instruments from the familiar - strings, wind, and brass - to the less familiar - aeolian harp, bamboula and sackbut.
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Michael Kennedy is a governor of the Royal Northern College of Music.
Michael Kennedy is a music critic and biographer. He has recently retired as music critic of theSunday Telegraph, where he has been since 1989. Before that he was a music critic on theDaily Telegraph from 1950, and its Northern Editor from 1960 to 1986. He is an authority on English music of the 20th century and has written books on Elgar, Vaughan Williams, Britten, and Walton as well as on Mahler, Strauss, Barbirolli, Boult, and the Hallé Orchestra. He was made an OBE in 1981 and is governor of the Royal Northern College of Music. Associate Editor
Joyce Bourne is a retired doctor and writer on opera. She practised for almost 30 years as an anaesthetist and general practitioner. She has a lifelong interest in and love of music and has assisted Michael Kennedy with his works for the past 15 years.
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Paperback. Zustand: Very Good. "The Oxford Dictionary of Music" is the indispensable guide for all music lovers and performers, both amateur and professional. It brings together an unrivalled collection of entries - 12,500 in all - covering musical subjects of all kinds in an authoritative and accessible way. There are entries on composers, performers, conductors, musical terms and forms, instruments, works, venues, and a host of other topics. There are 5,000 entries on composers, most with worklists that have now been brought right up to date. The entries on conductors and performers, which include contemporary musicians in all fields: John Mark Ainsley, Daniel Barenboim, Kathleen Battle, Marilyn Horne, Sumi Jo, Trevor Pinnock, Simon Rattle, Bryn Terfel, Michael Tilson Thomas, have also been updated. There are entries on directors and critics, producers and designers of international repute from across the centuries, on writers and scholars, and on musical journals and other publications. There are entries on individual works, including operas and ballets, on orchestras and companies from around the world, and on famous opera houses, concert-halls, and musical festivals, including Salzburg and Edinburgh. Musical terms and styles such as musique concrete, chromaticism, and tutti, and forms ranging from operatic, vocal, and film scores, to song cycles, chamber, hymns, barbershop, and oratorios are covered, as are general themes such as musicology, acoustics, and absolute pitch, and historical periods such as the Byzantine era. Finally come instruments from the familiar - strings, wind, and brass - to the less familiar - aeolian harp, bamboula and sackbut. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR002677337
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